Shane McCrae

Light Hardcover (1 lb or less)

Texas

A Memoir of a Kidnapping

An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage--all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane's grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America--but also what might heal and make it whole again.

Pulling the Chariot of the Sun

747349c5-e918-40a3-8fc7-4e959b1ccac2-1

Heavy Paperback (2 to 4 lbs)

New Jersey

Stamped From The Beginning 

Ibram X. Kendi

Hardcover (1 to 2 lbs)

Rhode Island

#1 NEW YORK TIMES BESTSELLER • From the National Book Award–winning author of Stamped from the Beginning comes a “groundbreaking” (Time) approach to understanding and uprooting racism and inequality in our society—and in ourselves. “The most courageous book to date on the problem of race in the Western mind.”—The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • The Washington Post • Shelf Awareness • Library Journal • Publishers Weekly • Kirkus Reviews Antiracism is a transformative concept that reorients and reenergizes the conversation about racism—and, even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. At its core, racism is a powerful system that creates false hierarchies of human value; its warped logic extends beyond race, from the way we regard people of different ethnicities or skin colors to the way we treat people of different sexes, gender identities, and body types. Racism intersects with class and culture and geography and even changes the way we see and value ourselves. In How to Be an Antiracist, Kendi takes readers through a widening circle of antiracist ideas—from the most basic concepts to visionary possibilities—that will help readers see all forms of racism clearly, understand their poisonous consequences, and work to oppose them in our systems and in ourselves. Kendi weaves an electrifying combination of ethics, history, law, and science with his own personal story of awakening to antiracism. This is an essential work for anyone who wants to go beyond the awareness of racism to the next step: contributing to the formation of a just and equitable society. Praise for How to Be an Antiracist “Ibram X. Kendi’s new book, How to Be an Antiracist, couldn’t come at a better time. . . . Kendi has gifted us with a book that is not only an essential instruction manual but also a memoir of the author’s own path from anti-black racism to anti-white racism and, finally, to antiracism. . . . How to Be an Antiracist gives us a clear and compelling way to approach, as Kendi puts it in his introduction, ‘the basic struggle we’re all in, the struggle to be fully human and to see that others are fully human.’ ”—NPR “Kendi dissects why in a society where so few people consider themselves to be racist the divisions and inequalities of racism remain so prevalent. How to Be an Antiracist punctures the myths of a post-racial America, examining what racism really is—and what we should do about it.”—Time

How to Be an Antiracist

30422257-4017-4a44-850d-a45829021809-1

Jon Sternfeld

Michael K.  Williams

Paperback (1 to 2 lbs)

North Carolina

A Memoir

NEW YORK TIMES BESTSELLER • WINNER OF THE NAACP IMAGE AWARD • A “gripping, revelatory” (NPR) memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country “Williams’s cool rasp leaps off every page, his story told in the direct yet impassioned language that defined his greatest characters.”—Vulture ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, The Root When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his lifes work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organizations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.

Scenes from My Life

87b5273f-40b1-4bb3-9ad1-cc67d6699259-1

Christina Hammonds Reed

Massachusetts

A New York Times bestseller “Should be required reading in every classroom.” —Nic Stone, #1 New York Times bestselling author of Dear Martin “A true love letter to Los Angeles.” —Brandy Colbert, award-winning author of Little & Lion “A brilliantly poetic take on one of the most defining moments in Black American history.” —Tiffany D. Jackson, author of Grown and Monday’s Not Coming Perfect for fans of The Hate U Give, this unforgettable coming-of-age debut novel explores issues of race, class, and violence through the eyes of a wealthy black teenager whose family gets caught in the vortex of the 1992 Rodney King Riots. Los Angeles, 1992 Ashley Bennett and her friends are living the charmed life. It’s the end of senior year and they’re spending more time at the beach than in the classroom. They can already feel the sunny days and endless possibilities of summer. Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids. As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. Even as her self-destructive sister gets dangerously involved in the riots. Even as the model black family façade her wealthy and prominent parents have built starts to crumble. Even as her best friends help spread a rumor that could completely derail the future of her classmate and fellow black kid, LaShawn Johnson. With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?

The Black Kids

98e70aaa-c896-499e-880f-0780010d3e5b-1

Paul Beatty

Light Paperback (1 lb or less)

Vermont

A Novel

Winner of the 2016 Man Booker Prize Winner of the 2015 National Book Critics Circle Award in Fiction Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

The Sellout

22a56beb-da23-4057-b96c-0c08e55265ac-1

Paul Kivel

Michigan

Social Studies

How White People Can Work for Racial Justice

Over 50,000 copies sold of earlier editions! Powerful strategies and practical tools for white people committed to racial justice

Completely revised and updated, this fourth edition of Uprooting Racism offers a framework around neoliberalism and interpersonal, institutional, and cultural racism, along with stories of resistance and white solidarity. It provides practical tools and advice on how white people can work as allies for racial justice, engaging the reader through questions, exercises, and suggestions for action, and includes a wealth of information about specific cultural groups such as Muslims, people with mixed heritage, Native Americans, Jews, recent immigrants, Asian Americans, and Latino/as.

Inequalities in education, housing, health care, and the job market continue to prevail, while increased insecurity and fear have led to an epidemic of scapegoating and harassment of people of color. Yet, recent polls show that only thirty-one percent of white people in the United States believe racism is a major societal problem; at the same time, resistance is strong, as highlighted by indigenous struggles for land and sovereignty and the Movement for Black Lives.

Previous editions of Uprooting Racism have sold more than 50,000 copies. This accessible, personal, supportive, and practical guide is ideal for students, community activists, teachers, youth workers, and anyone interested in issues of diversity, multiculturalism, and social justice.

Paul Kivel is an award-winning author and an accomplished trainer and speaker. He has been a social justice activist, a nationally and internationally recognized anti-racism educator, and an innovative leader in violence prevention for over forty years.

Uprooting Racism - 4th Edition

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Thrity Umrigar

The bestselling, critically acclaimed author of The Space Between Us and The World We Found deftly explores issues of race, class, privilege, and power and asks us to consider uncomfortable moral questions in this probing, ambitious, emotionally wrenching novel of two families—one black, one white. During a terrible heat wave in 1991—the worst in a decade—ten-year-old Anton has been locked in an apartment in the projects, alone, for seven days, without air conditioning or a fan. With no electricity, the refrigerator and lights do not work. Hot, hungry, and desperate, Anton shatters a window and climbs out. Cutting his leg on the broken glass, he is covered in blood when the police find him. Juanita, his mother, is discovered in a crack house less than three blocks away, nearly unconscious and half-naked. When she comes to, she repeatedly asks for her baby boy. She never meant to leave Anton—she went out for a quick hit and was headed right back, until her drug dealer raped her and kept her high. Though the bond between mother and son is extremely strong, Anton is placed with child services while Juanita goes to jail. The Harvard-educated son of a US senator, Judge David Coleman is a scion of northeastern white privilege. Desperate to have a child in the house again after the tragic death of his teenage son, David uses his power and connections to keep his new foster son, Anton, with him and his wife, Delores—actions that will have devastating consequences in the years to come. Following in his adopted family’s footsteps, Anton, too, rises within the establishment. But when he discovers the truth about his life, his birth mother, and his adopted parents, this man of the law must come to terms with the moral complexities of crimes committed by the people he loves most.

Everybody's Son

3929a0ad-abe5-401a-86d8-758d1aff9a5b-1

Angie Thomas

Amandla Stenberg

New York

8 starred reviews · Goodreads Choice Awards Best of the Best  ·  William C. Morris Award Winner · National Book Award Longlist · Printz Honor Book · Coretta Scott King Honor Book · #1 New York Times Bestseller!

"Absolutely riveting!" --Jason Reynolds

"Stunning." --John Green

"This story is necessary. This story is important." --Kirkus (starred review)

"Heartbreakingly topical." --Publishers Weekly (starred review)

"A marvel of verisimilitude." --Booklist (starred review)

"A powerful, in-your-face novel." --Horn Book (starred review)

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does--or does not--say could upend her community. It could also endanger her life.

Want more of Garden Heights? Catch Maverick and Seven's story in Concrete Rose, Angie Thomas's powerful prequel to The Hate U Give.



The Hate U Give

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Invisible Man

d5d49007-a66a-4c2a-a2d5-a1f1d33c7c1c-1

Tony Evans

For Ingest Only - Data needs to be cleaned up for all products being loaded

Let's Get to Know Each Other

5226b2d5-3e5a-4f5f-9086-6af88711b2ba-1

Nate Blakeslee

Minnesota

Race, Cocaine, and Corruption in a Small Texas Town

In the summer of 1999, in the tiny west Texas town of Tulia, thirty-nine people, almost all of them black, were arrested and charged with dealing powdered cocaine. The operation, a federally-funded investigation performed in cooperation with the local authorities, was based on the work of one notoriously unreliable undercover officer. At trial, the prosecution relied almost solely on the uncorroborated, and contradictory, testimony of that officer, Tom Coleman. Despite the flimsiness of the evidence against them, virtually all of the defendants were convicted and given sentences as high as ninety-nine years. Tom Coleman was named a Texas Lawman of the Year for his work. Tulia is the story of this town, the bust, the trials, and the heroic legal battle that ultimately led to the reversal of the convictions in the summer of 2003. Laws have been changed in Texas as a result of the scandal, and the defendants have earned a measure of bittersweet redemption. But the story is much bigger than the tale of just one bust. As Tulia makes clear, these events are the latest chapter in a story with themes as old as the country itself. It is a gripping, marvellously well-told tale about injustice, race, poverty, hysteria, and desperation in rural America.

Tulia

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#paperback #fiction #contemporary #reesebookclubpic #race #comingofagestory #babysitter #africanamericans 

Maryland

A Best Book of the Year: The Washington Post • Chicago Tribune • NPR • Vogue • Elle • Real Simple • InStyle • Good Housekeeping • Parade • Slate • Vox • Kirkus Reviews • Library Journal • BookPage Longlisted for the 2020 Booker Prize An Instant New York Times Bestseller A Reese's Book Club Pick "The most provocative page-turner of the year." --Entertainment Weekly "I urge you to read Such a Fun Age." --NPR A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone "family," and the complicated reality of being a grown up. It is a searing debut for our times.

Such a Fun Age

eafe4d9c-6efd-42a9-9dc7-d209f56c835a-1

Therese Anne Fowler

Smoke free home. Ships securely and with care!

INSTANT NEW YORK TIMES BESTSELLER * One of NPR's Best Books of 2020

"A provocative, absorbing read." -- People

"A feast of a read... I finished A Good Neighborhood in a single sitting. Yes, it's that good." --Jodi Picoult, #1 New York Times bestselling author of Small Great Things and A Spark of Light

In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son, Xavier, who's headed to college in the fall. All is well until the Whitmans--a family with new money and a secretly troubled teenage daughter--raze the house and trees next door to build themselves a showplace.

With little in common except a property line, these two families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers.

A Good Neighborhood asks big questions about life in America today--what does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?--as it explores the effects of class, race, and heartrending love in a story that's as provocative as it is powerful.

A Good Neighborhood

a36fd4a2-a370-4b9b-bc83-3164ca9e3468-1

Charlie Smith

Iowa

A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said “may be America’s most bewitching stylist alive.” Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town’s leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near daily, and after a series of devastating events—a lynching, a church burning—Delvin fears being accused of murdering a local white boy and leaves town. Haunted by his mother’s disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate. In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and ’30s in all its brutal humanity—and the astonishing endurance of one battered young man, his consciousness “an accumulation of breached and disordered living . . . hopes packed hard into sprung joints,” who lives past and through it all.

Ginny Gall

dd742583-572d-489e-aed4-246bb28b50b5-1

District of Columbia

Pennsylvania

Christine Pride

Jo Piazza

Washington

“Now these women, they can WRITE!” —Terry McMillan, New York Times bestselling author of It’s Not All Downhill from Here “We Are Not Like Them will stay with you long after you turn the last page.” —Laura Dave, New York Times bestselling author of The Last Thing He Told Me Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

We Are Not Like Them

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Ijeoma Oluo

In this New York Times bestseller, Ijeoma Oluo explores the complex reality of today's racial landscape--from white privilege and police brutality to systemic discrimination and the Black Lives Matter movement--offering straightforward clarity that readers need to contribute to the dismantling of the racial divide. In So You Want to Talk About Race, Editor at Large of The Establishment Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans. Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates, Roxane Gay, Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay "The Meaning of a Word."

So You Want to Talk about Race

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Kwame Ivery

Told in two voices, the budding romance between tenth-graders Uly Gates and Sallie Walls is tested when their sisters run against each other in a racially-charged campaign for student-body president.

The Problem with the Other Side [ARC]

3c80e571-80af-4a76-ad63-0b7061beb0b9-1

Frederick Joseph

Gently read once. No signs of wear and tear. ￼

Illinois

"Part memoir, part guidebook, this title explores scenarios of interpersonal and institutional struggle to introduce the next generation of White youth to anti-racism."--Kirkus Reviews.

The Black Friend: on Being a Better White Person

b8cfcc03-755a-4ca6-9a59-b1001ba68a32-1

Imani Perry

Louisiana

A Journey below the Mason-Dixon to Understand the Soul of a Nation

INSTANT NEW YORK TIMES BESTSELLER

"An elegant meditation on the complexities of the American South--and thus of America--by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration." --Isabel Wilkerson

An essential, surprising journey through the history, rituals, and landscapes of the American South--and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.  

A Recommended Read from: The New York Times * TIME * Oprah Daily * USA Today * Vulture * Essence * Esquire * W Magazine * Atlanta Journal-Constitution * PopSugar * Book Riot * Chicago Review of Books * Electric Literature * Lit Hub 

South to America

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Puerto Rico

Kiley Reid

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Shane McCrae

Pulling the Chariot of the Sun

Ibram X Kendi

Stamped From The Beginning

Ibram X. Kendi

How to Be an Antiracist

Jon Sternfeld; Michael K. Williams

Scenes from My Life

Christina Hammonds Reed

The Black Kids

Paul Beatty

The Sellout

Paul Kivel

Uprooting Racism - 4th Edition

Thrity Umrigar

Everybody's Son

Angie Thomas; Amandla Stenberg

The Hate U Give

Ralph Ellison

Invisible Man

Tony Evans

Let's Get to Know Each Other

Nate Blakeslee

Tulia

Kiley Reid

Such a Fun Age

Therese Anne Fowler

A Good Neighborhood

Charlie Smith

Ginny Gall

Ibram X. Kendi

How to Be an Antiracist

Angie Thomas; Amandla Stenberg (Foreword by)

The Hate U Give

Christine Pride; Jo Piazza

We Are Not Like Them

Ijeoma Oluo

So You Want to Talk about Race

Kwame Ivery

The Problem with the Other Side [ARC]

Frederick Joseph

The Black Friend: on Being a Better White Person

Imani Perry

South to America

Angie Thomas; Amandla Stenberg

The Hate U Give

Kiley Reid

Such a Fun Age