Ann M. Martin

Light Paperback (1 lb or less)

California

The Baby-Sitters Club Book 14

A brand-new Baby-sitters Club graphic novel adapted by National Book Award finalist and Eisner-nominated cartoonist Ellen T. Crenshaw! Stacey is so excited! Her friends from The Baby-sitters Club are coming to New York City for a long weekend. It's going to be perfect -- a party and a sleepover on Friday night, a big baby-sitting job on Saturday, and lots of sightseeing throughout. But it turns out that the baby-sitters are way out of place in the big city. Mary Anne sounds like a walking guidebook, Dawn is afraid of everything, Kristy can't keep her mouth shut, Claudia is jealous of Laine -- Stacey's New York best friend -- and Mallory and Jessi feel intimidated by Stacey's classmates. With ten kids to baby-sit and a full schedule of activities, how will Stacey keep the weekend from becoming a complete disaster?

Stacey's Mistake: a Graphic Novel (the Baby-Sitters Club #14)

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Wilhelm Uhde

Nancy Ireson

This little book has 29 good quality reproductions of the artist’s works interspersed with recollections of his friend and art dealer Wilhelm Uhde.

The paintings of Henri Rousseau (1844–1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde—Picasso, Delaunay, and Kandinsky, among others—that he came to be recognized at his true worth. One of the most significant of these early admirers was the dealer and art historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau’s work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness, and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. The version presented here is the final, definitive text, which first appeared after World War I in a translation overseen by Uhde himself. An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau’s career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art.

Recollections of Henri Rousseau

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Laura Kay

A Novel

Two best friends. One huge crush. A year that could change everything... A warmhearted, hilarious queer rom-com about what happens when a group of friends are actually brave enough to live the dream and give up their dreary city apartments to buy a house in the country together. "A delightful romance, complete with DIY home repair, a beautiful queer found family, and backyard hens.” —Ashley Herring Blake, bestselling author of Astrid Parker Doesn’t Fail El is in a rut. She’s been hiding in the photocopier room at the same dead-end job for longer than she cares to remember, she’s sharing a flat with a girl who leaves passive-aggressive smiley face notes on the fridge about milk consumption and, worst of all, she’s been in unrequited love with her best friend, effortlessly cool lesbian Ray, for years. So when a plan is hatched for El, Ray, and their two other closest friends—newly heartbroken Will and karaoke-and-Twilight-superfan Jamie—to ditch the big city and move out to a ramshackle house on the edge of an English country village, it feels like just the escape she needs. Despite being the DIY challenge of a lifetime, the newly named Lavender House has all the makings of becoming the queer commune of the friends' dreams. (Will has been given a pass as the gang's Token Straight.) But as they start plotting their bright new future and making preparations for a grand housewarming party to thank the surprisingly but wonderfully welcoming community, El is forced to confront her feelings for Ray—the feelings that she’s been desperately trying to keep buried. Is it worth ruining a perfectly good friendship for a chance at love? A VINTAGE ORIGINAL.

Wild Things

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Sandra Cisneros

For Esperanza, a young girl growing up in the Hispanic quarter of Chicago, life is an endless landscape of concrete and run-down tenements, and she tries to rise above the hopelessness

The House on Mango Street

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Fritjof Capra

Heavy Paperback (2 to 4 lbs)

An Exploration of the Parallels Between Modern Physics and Eastern Mysticism

The Tao of Physics

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Geoff Dyer

A New York Times Notable Book

A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and Time

In Venice, at the Biennale,nbsp;a jaded, bellini-swigging journalist named Jeff Atmannbsp;meets a beautiful woman and they embark on a passionate affair.

In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months.nbsp;

Their journey--as only the irrepressibly entertaining Geoff Dyer could conjure--makes for an uproarious, fiendishly inventive novel of Italy and India, longing andnbsp;lust, and the prospect of neurotic enlightenment.

Jeff in Venice, Death in Varanasi

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Charles Bukowski

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova. With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

Women

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Christopher Looby

Robert Montgomery Bird

Originally published in 1836.

Sheppard Lee, Written By Himself is a work of dark satire from the early years of the American Republic. Published as an autobiography and praised by Edgar Allan Poe, this is the story of a young idler who goes in search of buried treasure and finds instead the power to transfer his soul into other men's bodies. What follows is onenbsp;increasingly practiced body snatcher'snbsp;picaresque journey through early American pursuits of happiness, as each new form Sheppard Lee assumes disappoints him anew while making him want more and more. When Lee's metempsychosis draws him into the marriage market, the money market, and the slave market, Bird's fable of American upward mobility takes a more sinister turn. Lee learns that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.nbsp;
nbsp;
Looking forward to Melville's The Confidence-Man and beyond that to William Burroughs’s Naked Lunch, this strange and compelling story is a penetrating critique of American life and values as well asnbsp;a crucial addition to the canon of American literature.

Sheppard Lee, Written by Himself

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KelLee Parr

Paperback (1 to 2 lbs)

The Story of the Willows Maternity Sanitarium and the Adoption Hub of America

"What would it have been like to be a sixteen-year-old girl in 1925, unmarried and pregnant? In those days, society was cruel to a young woman in this situation. Family members often turned their backs out of embarrassment. The young woman was disgraced and ostracized. The child born out of wedlock was tarnished for life unless secretly adopted. Options were few. Abortion was illegal, expensive, and extremely risky, ignoring any moral issues. Scared and ashamed, many girls were sent to "visit" family in another city or states until the problem went away. A well-kept secret from society, over 100,000 of these young women were sent to Kansas City, Missouri. They traveled, mostly by train, to facilities like The Willows Maternity Sanitarium to hide their dilemma. The Willows was one of the largest homes in America for unwed, pregnant girls to live in seclusion. Months later they would return home empty handed to carry on as though nothing ever happened. They physical pain and trauma were over but the emotional wounds were never healed or forgotten. This is the incredible, true story of The Willows Maternity Sanitarium, the Haworth family who were savvy business owners yet deeply compassionate to these unfortunate girls, and the voices of several whose lives were touched by The Willows."--back cover.

Mansion on a Hill

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Janine Myung Ja

Excerpts from Adoption Books for Adults

Adoption Stories

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Alex S. Vitale

The best-selling bible of the movement to defund the police in an updated edition

The massive uprising that followed the police killing of George Floyd in the summer of 2020-- by some estimates the largest protests in US history--thrust the argument to defund the police to the forefront of international politics. That case had been put persuasively a few years earlier in The End of Policing by Alex Vitale, now a leading figure in the urgent public discussion over policing and racial justice.

The central problem, Vitale demonstrates, is the dramatic expansion of the police role over the last forty years. Drawing on firsthand research from across the globe, he shows how the implementation of alternatives to policing--such as drug legalization, regulation, and harm reduction instead of the policing of drugs--has led to reductions in crime, spending, and injustice.

This updated edition includes a new introduction that takes stock of the renewed movement to challenge police impunity and shows how we move forward, evaluating protest, policy, and the political situation.

The End of Policing

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Reni Eddo-Lodge

Selected by Emma Watson as the Our Shared Shelf Book Club Pick for January/February 2018 Sunday Times Bestseller Winner of the British Book Awards Non-Fiction Narrative Book of the Year Winner of the Jhalak Prize This is a book that was begging to be written . . . Essential." - Marlon James "The most important book for me this year." - Emma Watson "One of the most important books of 2017." - Nikesh Shukla, editor of The Good Immigrant In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren''t affected by it. She posted a piece on her blog, entitled: "Why I''m No Longer Talking to White People About Race."Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanized by this clear hunger for open discussion, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today. Foyles Nonfiction Book of the Year Blackwell''s Nonfiction Book of the Year Named One of the Best Books of 2017 by: NPR The Guardian The Observer The Brooklyn Rail Cultured Vultures "This is a book that was begging to be written. This is the kind of book that demands a future where we''ll no longer need such a book. Essential." - Marlon James, author of Man Booker Prize-winning A BRIEF HISTORY OF SEVEN KILLINGS"This political, accessible and uncompromising book has got people talking about race and racism in Britain." - Guardian, "Books of the Year" "Searing ? A fresh perspective, offering an Anglocentric alternative to the recent status-quo-challenging successes of Get Out and Dear White People . This book''s probing analysis and sharp wit certainly make us pray she will continue talking to white people about race." - Harper''s Bazaar "A clear and convincing dissection of racism and the white denial that perpetuates it." - Our Best Adult Books of 2017 - Nonfiction, starred review, Shelf Awareness "A plainspoken, hard-hitting take on mainstream British society''s avoidance of race and the complexities and manifestations of racism . . . Eddo-Lodge''s crisp prose and impassioned voice implore white Britain to look beyond obvious racism to acknowledge the more opaque existence of structural racism . . . With this thoughtful and direct book, Eddo-Lodge stokes the very conversation that the title rejects." - Publishers Weekly "In her probing and personal narrative, Eddo-Lodge offers fresh insight into the way all racism is ultimately a ''white problem'' that must be addressed by commitment to action, no matter how small . . . A sharp, compelling, and impassioned book." - Kirkus Reviews "The provocative title is hard to ignore, and so is the book''s cover. Seen from afar, it appears to be called Why I''m No Longer Talking About Race, which is intriguing enough on its own. You have to look closer to see To White People hiding underneath it in debossed letters. It''s a striking visual representation of white people''s blindness to everyday, structural racism . . . It''s that boldness, that straight talk which makes this book memorable. Eddo-Lodge pushes readers to recognize that racism is a systemic problem that needs to be tackled by those who run the system." - NPR.org "You don''t have to live in the U.K. to recognize the issues of white privilege, class, feminism and structural racism that [Eddo-Lodge] explores in this essential book." - Silvia Vinas, NPR "Why I''m No Longer Talking to White People about Race by Reni Eddo-Lodge is a timely and sparky discussion about a vital subject." - Times Literary Supplement, "Books of the Year" "Her work, which began as a silent scream against white complicity to racism, has shifted the conversation in the U.K. . . . Though she may not be talking to white people about race, she has gotten a lot of people to listen." - Time Magazine "Reni Eddo-Lodge is that rarest of delights - a young, working-class black woman from Tottenham with a voice in public life ? This book is a real eye-opener when it comes to Britain''s hidden history of discrimination ? A book like this matters now." - Refinery29 "Eddo-Lodge explores the nuanced ways in which racial prejudice continues and is ignored." - Vogue "A must-read that expertly reflects the challenges of addressing structural racism." - starred review, Library Journal "A book that''s set to blow apart the understanding of race relations in this country." - Stylist "I found Why I''m No Longer Talking to White People about Race by Reni Eddo-Lodge timely and resonant. The author''s passages on intersectionality are particularly poignant. It''s a powerful and important read, relevant and accessible whatever your race." - Observer, "Books of the Year" "Thought-provoking (and deeply uncomfortable) ? What Eddo-Lodge does is to force her readers to confront their own complicity ? Her books is a call to action ? What makes the book radical is the way it shifts the burden of ending racism on to white people." - Sunday Herald "Offering extraordinary and articulate insights into contemporary race relations, "Why I''m No Longer Talking to White People About Race" is impressively informative, exceptionally well written, organized and presented, and an essential, core addition to both community and academic library Contemporary Social Issues in general, and Race Relations supplemental studies lists in particular." - Midwest Book Review "Why I''m No Longer Talking To White People About Race . . . look[s] at racial dynamics in the UK, and does so with intelligence and poignance. Eddo-Lodge''s journalism background makes the book the perfect mixture of fact and opinion, resulting in a book that will probably teach you a lot about Britain''s racist history." - Cultured Vultures, "10 Best Books of 2017" "Eddo-Lodge is digesting history for those white readers who have had their ears and eyes shut to the violence in Britain''s past ? An important shift that undermines the idea that racism is the BAME community''s burden to carry. The liberation that this book offers is in the reversal of responsibilities." - Arifa Akbar, Financial Times "It''s deep, it''s important and I suggest taking a deep breath, delving in and I promise you will come up for air woke and better equipped to understand the underlying issues of race in our society." - Sharmaine Lovegrove, ELLE "Daring, interrogatory, illuminating. A forensic dissection of race in the UK from one of the country''s most critical young thinkers. Reni''s penetrative voice is like a punch to the jugular. Read it, then tell everyone you know." - Irenosen Okojie, author of BUTTERFLY FISH"One of the most important books of 2017." - Nikesh Shukla, editor of THE GOOD IMMIGRANT"I''ve never been so excited about a book. Thank God somebody finally wrote it ? Blistering ? Absolutely vital writing from one of the most exciting voices in British politics. A stunningly important debut ? Fellow white people: It''s our responsibility as to read this book ? This book is essential reading for anyone even remotely interested in living in a fairer, kinder and more equal world." - Paris Lees"Laying bare the mechanisms by which we internalise the assumptions, false narratives and skewed perceptions that perpetuate racism, Eddo-Lodge enables readers of every ethnicity to look at life with clearer eyes. A powerful, compelling and urgent read." - Ann Morgan, author of A YEAR OF READING THE WORLD"

Why I'm No Longer Talking to White People about Race

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Jennifer Egan

A NEW YORK TIMES BESTSELLER
ONE OF THE NEW YORK TIMES TOP TEN BOOKS OF 2022
ONE OF THE ECONOMIST TOP SIX BOOKS OF 2022
ONE OF ENTERTAINMENT WEEKLY'S TOP TEN BOOKS OF 2022
ONE OF SLATE'S TOP TEN BOOKS OF 2022
ONE OF THE PHILADELPHIA INQUIRER TOP TEN BOOKS OF 2022

Also named one of the BEST BOOKS OF 2022 by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, LitHub, Self, Book Riot, Vogue, Bookpage, The New Yorker, BBC, Vulture, and many more!

From one of the most celebrated writers of our time comes an "inventive, effervescent" (Oprah Daily) novel about the memory and quest for authenticity and human connection.

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is "one of those tech demi-gods with whom we're all on a first name basis." Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or "externalizing" memory. Within a decade, Bix's new technology, "Own Your Unconscious"--which allows you access to every memory you've ever had, and to share your memories in exchange for access to the memories of others--has seduced multitudes.

In the world of Egan's spectacular imagination, there are "counters" who track and exploit desires and there are "eluders," those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles--from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love.

"A beautiful exploration of loss, memory, and history" (San Francisco Chronicle), "this is minimalist maximalism. It's as if Egan compressed a big 19th-century novel onto a flash drive" (The New York Times).

The Candy House

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Jack Kerouac

(Penguin Classics Deluxe Edition)

The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naiveté and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up.

On the Road

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Working side-by-side for a record label, former punk rocker Bennie Salazar and the passionate Sasha hide illicit secrets from one another while interacting with a motley assortment of equally troubled people from 1970s San Francisco to the post-war future.

A Visit from the Goon Squad

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Sophie Monks Kaufman

Little White Lies

Wes Anderson (Close-Ups, Book 1)

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Margaret Atwood

A chilling look at the near future presents the story of Offred, a Handmaid in the Republic of Gilead, once the United States, an oppressive world where women are no longer allowed to read and are valued only as long as they are viable for reproduction. Reissue.

The Handmaid's Tale

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Ivan Turgenev

Rosemary Edmonds

With an introduction by Rosamund Bartlett and an afterword by Tatiana Tolstaya

Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero whose story vividly captures the hopes and regrets of a changing Russia.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Fathers and Sons

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Herman Hesse

Joseph Mileck

Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meerts a woman who is his opposite, the carefree and elusive Hermine. The tale of the Steppenwolf culminates in the surreal Magic Theater—for mad men only. Steppenwolf is Hesse’s best-known and most autobiographical work. With its blend of Eastern mysticism and Western culture, it is one of literature’s most poetic evocations of the soul’s journey to liberation. Originally published in English in 1929, the novel’s wisdom continues to speak to our souls and marks it as a classic of modern literature.

Steppenwolf

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Kent Haruf

Alan Kent Haruf

The story of the intertwined lives of widow Addie Moore and widower Louis Waters, set against the backdrop of Holt, Colorado.

Our Souls at Night

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Charles Fairchild

This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.

Danger Mouse's the Grey Album

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Osamu Tezuka

Buddha, Volume 3: Devadatta

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Buddha, Volume 4: the Forest of Uruvela

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Osamu Tezuka’s vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha’s life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Buddha, Volume 2: the Four Encounters

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MinorLit

Browse by categories

Ann M. Martin

Stacey's Mistake: a Graphic Novel (the Baby-Sitters Club #14)

Wilhelm Uhde; Nancy Ireson

Recollections of Henri Rousseau

Laura Kay

Wild Things

Sandra Cisneros

The House on Mango Street

Fritjof Capra

The Tao of Physics

Geoff Dyer

Jeff in Venice, Death in Varanasi

Charles Bukowski

Women

Christopher Looby; Robert Montgomery Bird

Sheppard Lee, Written by Himself

KelLee Parr

Mansion on a Hill

Janine Myung Ja

Adoption Stories

Alex S. Vitale

The End of Policing

Reni Eddo-Lodge

Why I'm No Longer Talking to White People about Race

Jennifer Egan

The Candy House

Jack Kerouac

On the Road

Jennifer Egan

A Visit from the Goon Squad

Sophie Monks Kaufman; Little White Lies

Wes Anderson (Close-Ups, Book 1)

Margaret Atwood

The Handmaid's Tale

Ivan Turgenev; Rosemary Edmonds

Fathers and Sons

Herman Hesse; Joseph Mileck

Steppenwolf

Kent Haruf; Alan Kent Haruf

Our Souls at Night

Charles Fairchild

Danger Mouse's the Grey Album

Osamu Tezuka

Buddha, Volume 3: Devadatta

Osamu Tezuka

Buddha, Volume 4: the Forest of Uruvela

Osamu Tezuka

Buddha, Volume 2: the Four Encounters

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