Lauren Willig

Hardcover (1 to 2 lbs)

Maine

A Novel of Hamilton, Burr, and America's First Murder Trial

Based on the true story of a famous trial, this novel is Law and Order: 1800, as Alexander Hamilton and Aaron Burr investigate the shocking murder of a young woman who everyone--and no one--seemed to know. At the start of a new century, a shocking murder transfixes Manhattan, forcing bitter rivals Alexander Hamilton and Aaron Burr to work together to save a man from the gallows. Just before Christmas 1799, Elma Sands slips out of her Quaker cousin's boarding house--and doesn't come home. Has she eloped? Run away? No one knows--until her body appears in the Manhattan Well. Her family insists they know who killed her. Handbills circulate around the city accusing a carpenter named Levi Weeks of seducing and murdering Elma. But privately, quietly, Levi's wealthy brother calls in a special favor.... Aaron Burr's legal practice can't finance both his expensive tastes and his ambition to win the 1800 New York elections. To defend Levi Weeks is a double win: a hefty fee plus a chance to grab headlines. Alexander Hamilton has his own political aspirations; he isn't going to let Burr monopolize the public's attention. If Burr is defending Levi Weeks, then Hamilton will too. As the trial and the election draw near, Burr and Hamilton race against time to save a man's life--and destroy each other. Part murder mystery, part thriller, part true crime, The Girl From Greenwich Street revisits a dark corner of history--with a surprising twist ending that reveals the true story of the woman at the center of the tale.

The Girl from Greenwich Street

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Gordon McAlpine

Georgia

A Novel

Gripping and emotionally riveting, this whimsical tale is an empowering and timely retelling of The Wizard of Oz where one little girl is forced to face head on the prejudices of the Midwest in the late 19th century. Kansas,1896. After a tornado destroys the Gale family farm, 11-year-old Dorothy goes missing. As the days pass by, the Gales are increasingly terrified the worst has happened. But when the girl turns up unharmed four days later, the townsfolk breathe in a sigh of relief. That is, until Dorothy herself relates her account of the events that took place after her disappearance. In vivid detail, Dorothy describes a fantastical land and its magical inhabitants, from the scarecrow, the tin man, and the cowardly lion to the wizard and the witch. Her recollections are not only regarded as delusional, but also as pagan and diabolical in nature, especially when the body of a local spinster is found. Making connections between the evil witch Dorothy claims to have defeated and the ill-tempered old crone, authorities find what they believe to be incriminating evidence, sentencing Dorothy to the Topeka Insane Asylum. When 28-year-old psychologist Dr. Evelyn Grace Wilford arrives at the asylum to interview Dorothy, she begins to wonder if Dorothy truly committed the crime or if something unfathomable has really occurred. In a small town full of insidious secrets, will Evelyn be able to save Dorothy from her terrible circumstances? Or is something menacing lurking just out of sight?

After Oz

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A. Rae Dunlap

Massachusetts

A Twisty Gothic Mystery of Dark Scottish History

In the tradition of The Alienist and Anatomy: A Love Story, a decadently macabre, dark and twisty gothic debut set in 19th century Scotland – when real-life serial killers Burke and Hare terrorized the streets of Edinburgh – as a young medical student is lured into the illicit underworld of body snatching. Historical fiction, true crime, and dark academia intertwine in a harrowing tale of murder, greed, and the grisly origins of modern medicine for readers of Lydia Kang, ML Rio, Sarah Perry, and C.E. McGill. Portrait of the Medical Student as a Young Body Snatcher Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair. This, dear reader, is the story of my Resurrection. Edinburgh, Scotland, 1828. Naïve but determined James Willoughby has abandoned his posh, sheltered life at Oxford to pursue a lifelong dream of studying surgery in Edinburgh. A shining beacon of medical discovery in the age of New Enlightenment, the city’s university offers everything James desires—except the chance to work on a human cadaver. For that, he needs to join one of the private schools in Surgeon’s Square, at a cost he cannot afford. In desperation, he strikes a deal with Aneurin “Nye” MacKinnon, a dashing young dissectionist with an artist’s eye for anatomy and a reckless passion for knowledge. Nye promises to help him gain the surgical experience he craves—but it doesn’t take long for James to realize he’s made a devil’s bargain . . . Nye is a body snatcher. And James has unwittingly become his accomplice. Intoxicated by Nye and his noble mission, James rapidly descends into the underground ranks of the Resurrectionists—the body snatchers infamous for stealing fresh corpses from churchyards to be used as anatomical specimens. Before he knows it, James is caught up in a life-or-death scheme as rival gangs of snatchers compete in a morbid race for power and prestige. James and Nye soon find themselves in the crosshairs of a shady pair of unscrupulous opportunists known as Burke and Hare, who are dead set on cornering the market, no matter the cost. These unsavory characters will do anything to beat the competition for bodies. Even if it’s cold-blooded murder . . . Exquisitely macabre and delightfully entertaining, The Resurrectionist combines fact and fiction in a rollicking tale of the risks and rewards of scientific pursuit, the passions of its boldest pioneers, and the anatomy of human desire.

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Shelves by CS Cole

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