J. R. R. Tolkien

PangoBooks readers find this book comforting and cozy, offering a sense of escape and solace during tough times. Many appreciate its vivid imagery and ensemble of characters, recommending it as a must-read at least once. While some highlight its delightful simplicity compared to more complex fantasy works, criticisms include repetitiveness and a desire for more character development. Overall, readers see it as a foundational fantasy work that continues to captivate and endear.

Light Paperback (1 lb or less)

Florida

Bilbo Baggins, a respectable, well-to-do hobbit, lives comfortably in his hobbit-hole until the day the wandering wizard Gandalf chooses him to take part in an adventure from which he may never return.

The Hobbit (Movie Tie-In 2014)

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The Enchanting Prelude to the Lord of the Rings

Bilbo Baggins, the hobbit, is a peaceful sort who lives in a cozy hole in the Shire, a place where adventures are uncommon - and rather unwanted. So when the wizard Gandalf whisks him away on a treasure-hunting expedition with a troop of rowdy dwarves, he's not entirely thrilled. Encountering ruthless trolls, beastly orcs, gigantic spiders, and hungry wolves, Bilbo discovers within himself astonishing strength and courage. And at the ultimate confrontation with the fearsome dragon Smaug, the hobbit will brave the dangers of the dark and dragon fire alone and unaided.

The Hobbit

PangoBooks readers agree that this series is a cornerstone of the fantasy genre, with its richly imagined world of Middle-earth and memorable, well-developed characters. The storytelling is praised for its intricate prose, vivid landscapes, and profound themes such as the struggle between good and evil, friendship, and hope. While some find the pacing slow, it's seen as a trade-off for the depth and detail. Overall, it's considered a must-read, and despite its challenging prose, it's appreciated both by avid fantasy readers and those seeking foundational works in the genre.

Heavy Paperback (2 to 4 lbs)

Arkansas

Complete Bindup

Presents the epic depicting the Great War of the Ring, a struggle between good and evil in Middle Earth.

The Lord of the Rings

e224f035-84f5-4ea6-a69b-86d8e8615244-1

Being the First Part of the Lord of the Rings

Presents the epic depicting the Great War of the Ring, a struggle between good and evil in Middle-earth, following the odyssey of Frodo the hobbit and his companions on a quest to destroy the Ring of Power, in a special anniversary volume containing the corrected text of all three volumes of the seminal fantasy trilogy, complemented by maps and cover art by acclaimed artist Alan Lee. Simultaneous.

Remainder mark on bottom edge. Otherwise unread. 

Ohio

The Return of the King is the third volume in J.R.R. Tolkien's epic adventure, The Lord of the Rings, voted Book of the Century in major polls.

The armies of the Dark Lord are massing as his evil shadow spreads ever wider. Men, Dwarves, Elves and Ents unite forces to do battle agains the Dark. Meanwhile, Frodo and Sam struggle further into Mordor in their heroic quest to destroy the One Ring.

The Return of the King

e8a2bca6-b2e4-4278-bef5-c144c789b6cd-1

A chronicle of the great War of the Ring between the hobbits and the Enemy who made the One Ring.

Texas

Bring the Second Part of The Lord Of The Rings 

After losing Gandalf and being divided from their other companions during an Orc attack, Frodo and Sam continue towards Mordor, Land of the Enemy, to destroy the Ring, accompanied only by a mysterious figure that follows them.

The Two Towers

56fbb340-030b-42b8-9a51-c5bc880de115-1

Being the Second Part of the Lord of the Rings

Very good condition, other than slight yellowing of the pages ￼

Oregon

Tales and legends chronicling the world's beginnings and the happenings of the First Age, focusing on the theft of the Simarils--the three jewels crafted by Fèeanor--by Morgoth, first Dark Lord of Middle-earth.

The Silmarillion

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Illustrated by J. R. R. Tolkien

Including brand-new paintings, this is a fully illustrated new edition of the forerunner to The Lord of the Rings. The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.

The Silmarillion [Illustrated Edition]

Illinois

A fantasy adventure saga set in the early days of Middle-Earth features humans and elves, dwarves and dragons, orcs and dark sorcerers clashing in an epic battle between good and evil.

The Children of Húrin

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Short stories which inhabit the realm of The lord of the rings.

Unfinished Tales

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The Fall of Gondolin

California

The extraordinary history of Middle-earth, edited by Christopher Tolkien

The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world.

Praise for Book of Lost Tales 1

"In these tales we have the scholar joyously gamboling in the thickets of his imagination. . . . A commentary and notes greatly enrich the quest."--The Daily Telegraph

"Affords us an almost over-the-shoulder view into the evolving creative process and genius of J.R.R. Tolkien in a new, exciting aspect . . .The superb, sensitive, and extremely helpful commentary and editing done by Christopher Tolkien make all of this possible."--Mythlore

The Book of Lost Tales: Part One

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A collection of Tolkien's early tales offers the original accounts of the characters and world of Middle-earth and is accompanied by extensive commentary by Tolkien's son

The Book of Lost Tales

Heavy Hardcover (2 to 4 lbs)

And Other Tales from the Second Age of Middle-Earth

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one volume complete with new illustrations in watercolor and pencil by renowned artist Alan Lee.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a "dark age, and not very much of its history is (or need be) told." And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Númenor. Raised out of the Great Sea and gifted to the Men of Middle-earth as a reward for aiding the angelic Valar and the Elves in the defeat and capture of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Númenóreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men.

Even greater insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Númenor and Middle-earth, then expanded upon in Christopher Tolkien's magisterial twelve-volume The History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.

Now, adhering to the timeline of "The Tale of Years" in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one comprehensive volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of Tolkien from the various published texts, with new illustrations in watercolor and pencil by the doyen of Tolkien art, Alan Lee.

The Fall of Númenor

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New Jersey

The New York Times Bestseller

J.R.R. Tolkien's Beren And Lúthien is one of the three 'Great Tales' of the Elder Days. The epic tale of Beren and Lúthien became an essential element in the evolution of The Silmarillion, the myths and legends of Tolkien's First Age of the World.

Always key to the story is the fate that shadowed their love: Beren was a mortal man, Lúthien an immortal Elf. Her father, a great Elvish lord, imposed on Beren an impossible task before he might wed Lúthien: to rob the greatest of all evil beings, Melkor, of a Silmaril.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, Beren and Lúthien reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, along with the rich landscape and creatures unique to Tolkien's Middle-earth. Christopher Tolkien tells the story in his father's own words by giving its original form as well as prose and verse passages from later texts that illustrate the narrative as it changed.

"A good introduction to LOTR fans nervous about taking on The Silmarillion, and also gives longtime fans a fascinating look at the Tolkiens' myth-making process."--EntertainmentWeekly.com

"With eloquence and diligence and care, the son reconstructs and retraces the father's journey, pursuing the tale through draft after draft as Tolkien pursued his vision of Middle-earth."--NPR.org

Beren and Lúthien

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Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and L�thien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and L�thien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and L�thien: for Beren was a mortal man, but L�thien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed L�thien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and L�thien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and L�thien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

Beren and Luthien

Christopher Tolkien

SIR GAWAIN AND THE GREEN KNIGHT, PEARL, AND SIR ORFEO
THREE MEDIEVAL ENGLISH POEMS, WITH TRANSLATION AND COMMENTARY BY J.R.R. TOLKIEN
 
It’s Christmas at Camelot and King Arthur won’t begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court’s wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. Arthur’s brave favorite for the challenge is Sir Gawain…
 
Accompanying Sir Gawain and the Green Knight in this book are Sir Orfeo, a medieval version of the story of Orpheus and Euridice, a love so strong that it overcame death, and Pearl, the moving tale of a man in a graveyard mourning his baby daughter, lost like a pearl that slipped through his fingers. Worn out by grief, he falls asleep and dreams of meeting her in a bejewelled fantasy world.
 
Interpreted in a form designed to appeal to the general reader, J.R.R. Tolkien’s vivid translations of these classic poems represent the complete rhyme and alliterative schemes of the originals. This beautifully decorated text includes as a bonus the complete text of Tolkien’s acclaimed lecture on Sir Gawain.

SIR GAWAIN AND THE GREEN KNIGHT, PEARL, AND SIR ORFEO

THREE MEDIEVAL ENGLISH POEMS, WITH TRANSLATION AND COMMENTARY BY J.R.R. TOLKIEN

 

It's Christmas at Camelot and King Arthur won't begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court's wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. Arthur's brave favorite for the challenge is Sir Gawain...

 

Accompanying Sir Gawain and the Green Knight in this book are Sir Orfeo, a medieval version of the story of Orpheus and Euridice, a love so strong that it overcame death, and Pearl, the moving tale of a man in a graveyard mourning his baby daughter, lost like a pearl that slipped through his fingers. Worn out by grief, he falls asleep and dreams of meeting her in a bejewelled fantasy world.

 

Interpreted in a form designed to appeal to the general reader, J.R.R. Tolkien's vivid translations of these classic poems represent the complete rhyme and alliterative schemes of the originals. This beautifully decorated text includes as a bonus the complete text of Tolkien's acclaimed lecture on Sir Gawain.

Sir Gawain and the Green Knight, Pearl, and Sir Orfeo

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The scholar-fantacist offers faithful translations of the three classics of Medieval English verse

Sir Gawain and the Green Knight, Pearl, Sir Orfeo

For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself and with the complete text printed in two colors. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again.' They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon . . . Written for J.R.R. Tolkien's own children, The Hobbit was published on 21 September 1937. With a beautiful cover design, a handful of black & white drawings and two maps by the author himself, the book became an instant success and was reprinted shortly afterwards with five color plates. Tolkien's own selection of finished paintings and drawings have become inseparable from his text, adorning editions of The Hobbit for more than 85 years. But the published art has afforded only a glimpse of Tolkien's creative process, and many additional sketches, colored drawings and maps - although exhibited and published elsewhere - have never appeared within the pages of The Hobbit. In this unique enhanced edition of Tolkien's enchanting classic tale, the full panoply of his art is reproduced for the first time, presenting more than 50 illustrations to accompany Bilbo Baggins on his adventure 'there and back again.'

The Hobbit Illustrated by the Author

Printed in 1986. Damage to lower part of back cover

Connecticut

A fantastical anthology of short fiction, poetry, and commentaries by the author of The Lord of the Rings includes "The Adventures of Tom Bombadil," "Farmer Giles of Ham, and the author's intriguing essay on the art of the fairy story and the treatment of fantasy. Reissue.

The Tolkien Reader

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Very Good Condition. Has browning on page margins

Light Hardcover (1 lb or less)

New York

Tolkien's retellings of the Norse legends of Sigurd, the dragon slayer and blood-brother of the Niflungs, and Gudrâun, a Niflung forced to marry Attila the Hun who the murders her brothers.

The Legend of Sigurd and Gudrún

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Two bewitching fantasies by J.R.R. Tolkien, beloved author of THE HOBBIT. In SMITH OF WOOTTON MAJOR, Tolkien explores the gift of fantasy, and what it means to the life and character of the man who receives it. And FARMER GILES OF HAM tells a delightfully ribald mock-heroic tale, where a dragon who invades a town refuses to fight, and a farmer is chosen to slay him.

Smith of Wootton Major and Farmer Giles of Ham

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Sean Deming

Chuck Dixon

Indiana

An Illustrated Edition of the Fantasy Classic

Chronicles the adventures of Bilbo Baggins, who embarks on a quest to reclaim stolen treasure from the dragon Smaug, along with his dwarve companions and the wizard Gandalf, and unwittingly returns to the Shire with a Ring of Power.

The Hobbit (Graphic Novel)

5113d38b-e636-4ad1-a390-dbd12100c380

Carl F. Hostetter

Hardcover (1 to 2 lbs)

The first ever publication of J.R.R. Tolkien's final writings on Middle-earth, covering a wide range of subjects and perfect for those who have read and enjoyed The Silmarillion, The Lord of the Rings, Unfinished Tales, and The History of Middle-earth, and want to learn more about Tolkien's magnificent world.

It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954-5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973.

For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. From sweeping themes as profound as Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Númenor, the geography of the Rivers and Beacon-hills of Gondor, and even who had beards!

This new collection, which has been edited by Carl F. Hostetter, one of the world's leading Tolkien experts, is a veritable treasure-trove offering readers a chance to peer over Professor Tolkien's shoulder at the very moment of discovery: and on every page, Middle-earth is once again brought to extraordinary life.

The Nature of Middle-Earth

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Slight tearing on cover edges and some highlighting and underlining on some of the pages 

A Translation and Commentary

New York Times bestseller "A thrill . . . Beowulf was Tolkien's lodestar. Everything he did led up to or away from it . . . Perhaps, in the dark of night, he already knew what would happen: that he would never publish his beautifulBeowulf, and that his intimacy with the poem, more beautiful, would remain between him and the poet—a secret love."—New Yorker The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot. But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf "snuffling in baffled rage and injured greed when he discovers the theft of the cup"; but he rebuts the notion that this is "a mere treasure story", "just another dragon tale". He turns to the lines that tell of the burying of the golden things long ago, and observes that it is "the feeling for the treasure itself, this sad history" that raises it to another level. "The whole thing is sombre, tragic, sinister, curiously real. The 'treasure' is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination." Sellic spell, a "marvellous tale", is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the "historical legends" of the Northern kingdoms.

Beowulf

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Wayne G. Hammond

Yellowing pages due to age. #paperback #classic #fantasy #fiction #jrrtolkien 

Iowa

In 1925, four-year-old Michael Tolkien lost his beloved toy dog on the beach. To console him, his father, J.R.R. Tolkien, improvised a story about Rover, a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal. This charming tale, peopled by a sand-sorcerer and a terrible dragon, by the king of the sea and the Man-in-the-Moon, endured several drafts over the years. Now, more than seventy years later, the adventures of Rover are published for the first time. Rich in wit and wordplay, Roverandom is edited and introduced by Christina Scull and Wayne G. Hammond and illustrated with Tolkien's own delightful drawings.

Roverandom

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In 1925, while on vacation with his family on the Yorkshire coast, four-year-old Michael Tolkien lost his favorite toy, a little lead dog he was reluctant to put down even to dig in the sand. To console and distract him, his father, J. R. R. Tolkien, improvised a story - the story of Rover, a real dog magically transformed into a toy, who, after many fantastic adventures in search of the wizard who wronged him, at last wins back his life. This charming tale, peopled by a wise old whale anda terrible dragon, by the king of the sea and the Man-in-the-Moon, was a Tolkien family favorite, going through several typewritten drafts over many years. In 1936, Tolkien submitted it to his British publishers as a possible follow-up to The Hobbit. What his publishers really wanted, however, was another story about Middle-earth, and so he set aside this little book to begin his masterwork, The Lord of the Rings.

The glorious history of how Middle-earth would change--and become the world readers recognize in The Lord of the Rings

As friends and fellow members of the literary circle known as The Inklings, J. R. R. Tolkien and C. S. Lewis embarked on a challenge. Lewis was to write on "space-travel" and Tolkien on "time-travel." Lewis's novel Out of the Silent Planet became the first book of a science fiction trilogy. Tolkien's unfinished story "The Lost Road" chronicles the original destruction of Númenor, a pivotal event of the Second Age of Middle-earth.

In this intriguing volume, Christopher Tolkien traces the vivid history of Middle-earth, bringing the land--its topography and ever-clashing forces--to the state readers recognize from The Lord of the Rings. Entertaining and informative, The Lost Road and Other Writings shares fresh insights into the evolution of one of the world's most enduring fantasies.

The Lost Road and Other Writings

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Reveals how Tolkien's Middle-earth saga grew from an early idea of a new version of the Atlantis legend to the vivid world just beyond reality's border

The Lost Road

Nebraska

Poems and prose, maps and chronologies, detours and diversions along the road to Middle-earth . . . Christopher Tolkien has gathered archival materials that his late father, J. R. R. Tolkien, used to create the world and the history behind his classic stories.

This fourth volume of The History of Middle-earth presents early versions of those first tales, from the creation myth to the fall of Morgoth. Writings include a chronology of the events in Beleriand, the first Silmarillion map, and the only known description of the physical nature of Middle-earth's universe. Detailed annotations highlight changes ranging from the spelling of Elvish names to pivotal emendations whose effects reach even to the war of the ring.

The Shaping of Middle-earth presents a solid framework by which to trace the development of the early lore of Middle-earth. It is a truly indispensable reference work for those familiar with the history of that endlessly beloved land--and fascinating reading for those just entering that world.

The Shaping of Middle-Earth

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A poem from "Lord of the Rings" and primary illustrations follow the hobbit Bilbo Baggins on his final journey to the Grey Havens, while secondary illustrations at the bottom of each page depict his first journey on adventure as recounted in "The Hobbit."

Bilbo's Last Song

In this sixth volume of The History of Middle-earth the story reaches The Lord of the Rings. In The Return of the Shadow (an abandoned title for the first volume) Christopher Tolkien describes, with full citation of the earliest notes, outline plans, and narrative drafts, the intricate evolution of The Fellowship of the Ring and the gradual emergence of the conceptions that transformed what J.R.R. Tolkien for long believed would be a far shorter book, 'a sequel to The Hobbit'. The enlargement of Bilbo's 'magic ring' into the supremely potent and dangerous Ruling Ring of the Dark Lord is traced and the precise moment is seen when, in an astonishing and unforeseen leap in the earliest narrative, a Black Rider first rode into the Shire, his significance still unknown. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed while his indentity remains an absolute puzzle, and the suspicion only very slowly becomes certainty that he must after all be a Man. The hobbits, Frodo's companions, undergo intricate permutations of name and personality, and other major figures appear in strange modes: a sinister Treebeard, in league with the Enemy, a ferocious and malevolent Farmer Maggot. The story in this book ends at the point where J.R.R. Tolkien halted in the story for a long time, as the Company of the Ring, still lacking Legolas and Gimli, stood before the tomb of Balin in the Mines of Moria. The Return of the Shadow is illustrated with reproductions of the first maps and notable pages from the earliest manuscripts.

Browse by categories

J. R. R. Tolkien

The Hobbit

J. R. R. Tolkien

The Lord of the Rings

J. R. R. Tolkien

The Return of the King

J. R. R. Tolkien

The Two Towers

J. R. R. Tolkien

The Silmarillion [Illustrated Edition]

J. R. R. Tolkien

The Children of Húrin

J. R. R. Tolkien

Unfinished Tales

J. R. R. Tolkien

The Fall of Gondolin

J. R. R. Tolkien

The Book of Lost Tales

J. R. R. Tolkien

The Fall of Númenor

J. R. R. Tolkien

Beren and Luthien

J. R. R. Tolkien

Sir Gawain and the Green Knight, Pearl, Sir Orfeo

J. R. R. Tolkien

The Hobbit Illustrated by the Author

J. R. R. Tolkien

The Tolkien Reader

J. R. R. Tolkien

The Legend of Sigurd and Gudrún

J. R. R. Tolkien

Smith of Wootton Major and Farmer Giles of Ham

Sean Deming

The Hobbit (Graphic Novel)

J. R. R. Tolkien

The Nature of Middle-Earth

J. R. R. Tolkien

Beowulf

Wayne G. Hammond

Roverandom

J. R. R. Tolkien

The Lost Road

J. R. R. Tolkien

The Shaping of Middle-Earth

J. R. R. Tolkien

Bilbo's Last Song

J. R. R. Tolkien

The Return of the Shadow