Helen Garner

Rumaan Alam

Hardcover (1 to 2 lbs)

Montana

A Novel

A masterful novel chronicling the steady unraveling of a content, yet cloistered suburban family, seduced by the counterculture of the 1980s "The Children’s Bach is [Garner’s] masterpiece."—Public Books Helen Garner has been a literary institution in Australia for decades. Her perfectly formed novels embodied Australia’s tumultuous 70s and 80s, and her incisive nonfiction evokes the keen eye of the New Journalists. The Atlantic dubbed her “the Joan Didion of Australia.” Now, The Children’s Bach, the beloved work that solidified her place among the masters of modern international letters, is available in a new US edition. The Children’s Bach follows Dexter and Athena Fox, a husband and wife who live with their two sons in the inner suburbs of early-1980s Melbourne. Dexter is gregarious, opinionated, and old fashioned. Athena is a dutiful wife and mother, stoic yet underestimated. Though their son’s disability strains the family at times, they appear to lead otherwise happy lives. But when a friend from Dexter’s past resurfaces, she and her cast of beguiling companions reveal another world to Dexter and Athena: a bohemian underground, unbound by routine and driven by desire, where choice seems to exist independent of consequence. And as Athena delves deeper into this other kind of life, the tenuous bonds that hold the Fox family together begin to fray. Painted on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” among Garner’s revered catalog (Ben Lerner), a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.

The Children's Bach

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Sarah Weinman

New Jersey

The Story of a Murder Trial

The engrossing true-crime classic from one of Australia’s most acclaimed writers "This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of Gaiety On the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions. In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure. Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.

This House of Grief

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Anyone can see the place where the children died. You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain. On the evening of 4 September 2005, Father’s Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner’s obsession. She followed it on its protracted course until the final verdict. In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience – all gathered to bear witness to the truth – players in the extraordinary and unpredictable drama of the quest for justice. This House of Grief is a heartbreaking and unputdownable book by one of Australia’s most admired writers.

Lauren Groff

The novel that launched the career of one of Australia’s greatest writers, following the doomed infatuations of a young, single mother, enthralled by the excesses of Melbourne's late-70s counterculture The name Helen Garner commands near-universal acclaim. A master novelist, short-story writer, and journalist, Garner is best known for her frank, unsparing, and intricate portraits of Australian life, often drawn from the pages of her own journals and diaries. Now, in a newly available US edition, comes the disruptive debut that established Garner's masterful and quietly radical literary voice. Set in Australia in the late 1970s, Monkey Grip follows single mother and writer Nora as she navigates the tumultuous cityscape of Melbourne’s bohemian underground, often with her young daughter Gracie in tow. When Nora falls in love with the flighty Javo, she becomes snared in the web of his addiction. And as their tenuous relationship disintegrates, Nora struggles to wean herself off a love that feels impossible to live without. When it first published in 1977, Monkey Grip was both a sensation and a lightning rod. While some critics praised the upstart Garner for her craft, many scorned her gritty depictions of the human body and all its muck, her frankness about sex and drugs and the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece. A seminal novel of Australia’s turbulent 1970s and all it entailed—communal households, music, friendships, children, love, drugs, and sex—Monkey Grip now makes its long-overdue American debut.

Monkey Grip

Light Paperback (1 lb or less)

The New York Times Book Review Editors' Choice • The engrossing true-crime classic from one of Australia’s most acclaimed writers, that follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure •"This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of Gaiety On the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions. In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure. Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.

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Heavy Hardcover (2 to 4 lbs)

District of Columbia

Collected Diaries, 1978-1998

For the first time ever, collected here are all three volumes of the diaries of Helen Garner, inviting readers into the world behind the novels and nonfiction of a literary force. The name Helen Garner commands near-universal acclaim. A master of many literary forms, Garner is best known for her frank, unsparing, and intricate portraits of "ordinary people in difficult times" (New York Times). But the inspiration for it all was her extensive collection of diaries—fastidiously kept, intricately written, and delightfully dishy, unspooling the inner lives of her insular world in bohemian Melbourne. Now, for the first time, all three volumes of Garner's inimitable diaries are collected into one book. Spanning more than two decades, each finely etched volume reveals Garner like never before: a fledgling author publishing her lightning-rod debut novel in the late 70s; in the throes of a consuming affair in the late 80s; and clinging to a disintegrating marriage in the late 90s. And all the while, they bear witness to one of the world's great writers hard at work. Devastatingly honest and disarmingly funny, How to End a Story is a portrait of loss, betrayal, and the sheer force of a woman’s anger—but also of resilience, quotidian moments of joy, the immutable ties of motherhood, and the regenerative power of a room of one’s own.

How to End a Story

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The New York Times Book Review Editors' Choice • Now in a new edition with a foreword by Rumaan Alam, a modern classic from one of Australia’s greatest writers • "It’s high time American readers knew her generous, category-defying imagination."—New York Times "The Children’s Bach is [Garner’s] masterpiece."—Public Books Set in suburban Melbourne in the early 1980s, The Children’s Bach centers on Dexter and Athena Fox, their two sons, and the insulated world they’ve built together. Despite the routine challenges of domestic life, they are largely happy. But when a friend from Dexter’s past resurfaces and introduces the couple to the city’s bohemian underground—unbound by routine and driven by desire—Athena begins to wonder if life might hold more for her, and the tenuous bonds that tie the Foxes together start to fray. A literary institution in Australia, Helen Garner’s perfectly formed novels embody the tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” (Ben Lerner) within Garner’s revered catalogue, a beloved work that solidified her place among the masters of modern letters, a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.

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A powerful, witty, and taut novel about a complex friendship between two women—one dying, the other called to care for her—from an internationally acclaimed and award-winning author

How much of ourselves must we give up to help a friend in need? Helen has little idea what lies ahead—and what strength she must muster—when she offers her spare room to an old friend, Nicola, who has arrived in the city for cancer treatment. Skeptical of the medical establishment, and placing all her faith in an alternative health center, Nicola is determined to find her own way to deal with her illness, regardless of the advice Helen offers.

In the weeks that follow, Nicola’s battle for survival will turn not only her own life upside down but also those of everyone around her. The Spare Room is a magical gem of a book—gripping, moving, and unexpectedly funny—that packs a huge punch, charting a friendship as it is tested by the threat of death.

The Spare Room

Inner-suburban Melbourne in the 1970s- a world of communal living, drugs, music and love. In this acclaimed first novel, Helen Garner captures the fluid relationships of a community of friends who are living and loving in new ways. Nora falls in love with Javo the junkie, and together they try to make sense of their lives and the choices they have made. But caught in an increasingly ambiguous relationship, they are unable to let go - and the harder they pull away from each other, the tighter the monkey grip. 'A lyrical, rough-edged novel full of warmth and uncompromising feeling'The Sunday Age

Diaries Volume I 1978-1987

Finally, Helen Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humour and steel-sharp wit, these accounts of her everyday life provide an intimate insight into the work of one of Australia’s greatest living writers. Yellow Notebook, Diaries Volume I, in this new paperback edition, spans about a decade beginning in the late 1970s just after the publication of her first novel, Monkey Grip. It will delight Garner fans and those new to her work alike.

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