Danielle Evans

Light Hardcover (1 lb or less)

Maryland

A Novella and Stories

The award-winning author of Before You Suffocate Your Own Fool Self brings her signature voice and insight to the subjects of race, grief, apology, and American history. Danielle Evans is widely acclaimed for her blisteringly smart voice and x-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief--all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history--about who gets to tell them, and the cost of setting the record straight. In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

The Office of Historical Corrections

96e597f8-d3f6-43bd-8b09-09572e6fa4f1-1

#fiction #africanamerican #humor #adolescence

Oregon

A volume of short works includes "Harvest," in which an unplanned pregnancy prompts an African-American college student's self-evaluation; "Jellyfish," in which a father realizes how little he knows his daughter and "Snakes," in which a mixed-race girl recounts a fateful summer with white relatives. A first collection.

Before You Suffocate Your Own Fool Self

ceb3a8fe-e4bf-4a86-bf4e-2b5140053d1d-1

Introducing a new star of her generation, an electric debut story collection about mixed-race and African-American teenagers, women, and men struggling to find a place in their families and communities. When Danielle Evans's short story "Virgins" was published in The Paris Review in late 2007, it announced the arrival of a major new American short story writer. Written when she was only twenty-three, Evans's story of two black, blue-collar fifteen-year-old girls' flirtation with adulthood for one night was startling in its pitch-perfect examination of race, class, and the shifting terrain of adolescence. Now this debut short story collection delivers on the promise of that early story. In "Harvest," a college student's unplanned pregnancy forces her to confront her own feelings of inadequacy in comparison to her white classmates. In "Jellyfish," a father's misguided attempt to rescue a gift for his grown daughter from an apartment collapse magnifies all he doesn't know about her. And in "Snakes," the mixed-race daughter of intellectuals recounts the disastrous summer she spent with her white grandmother and cousin, a summer that has unforeseen repercussions in the present. Striking in their emotional immediacy, the stories in Before You Suffocate Your Own Fool Self are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.

Kathleen Collins

Light Paperback (1 lb or less)

Vermont

Selected Works of Kathleen Collins

A RECOMMENDED BOOK OF 2019 FROM Vanity Fair * Vogue * The Huffington Post A stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmaker Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.” That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she’s agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page. Kathleen Collins’s writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.

Notes from a Black Woman's Diary

9b4329ed-d916-49b4-84b7-81b871957994-1

Alice Dunbar-Nelson

And Other Stories

A stunning short story collection that takes the reader into the heart of the Creole community in late-nineteenth-century New Orleans, from a key poet and journalist of the Harlem Renaissance-featuring an introduction by Danielle Evans, the award-winning author ofThe Office of Historical Corrections

" Dunbar-Nelson 's airy, easy eloquence is a pleasure."-The New York Times

This vivid collection transports readers to New Orleans, from the delights of Mardi Gras on Bourbon Street, to the quiet Bayou where lovers meet, and to fish fries on the shore of the Mississippi Sound. Alice Dunbar-Nelson focuses the struggles and joys of the Creole community in these intimate stories featuring unforgettable characters.

In the title story, Manuela goes to the Wizened One for a charm when her lover strays; in "Little Miss Sophie,"a young woman goes to extreme lengths to get back a ring she pawned; in "M'sieu Fortier's Violin," a talented musician finds himself at a loss when his greatest passion is taken away; and in "The Fisherman of Pass Christian," Annette, an aspiring opera singer, falls in love with a beautiful fisherman who has a secret.Together these stories provide a unique window into the world of everyday CreoleLouisianians.

This edition also features a selection of stories from Dunbar-Nelson's first collection, Violets and Other Tales, which beautifully compliments The Goodness of St. Rocque, making it the essential text for readers looking to discover this underappreciated writer.

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

The Goodness of St. Rocque

Yuka Igarashi

Carmen Maria Machado

Massachusetts

The essential annual guide to the newest voices in short fiction selected by Danielle Evans, Alice Sola Kim, and Carmen Maria Machado "Prominent issues of social justice and cultural strife are woven thematically throughout 12 stories. Stories of prison reform, the immigrant experience, and the aftermath of sexual assault make the book a vivid time capsule that will guide readers back into the ethos of 2019 for generations to come . . . Each story displays a mastery of the form, sure to inspire readers to seek out further writing from these adept authors and publications."—Booklist Who are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book offers a dozen compelling answers to these questions. The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. Chosen by a panel of distinguished judges, themselves innovators of the short story form, they take us from the hutongs of Beijing to the highways of Saskatchewan, from the letters of a poet devoted to God in seventeenth–century France to a chorus of poets devoted to revolution in the “last days of empire.” They describe consuming, joyful, tragic, complex, ever–changing relationships between four friends who meet at a survivors group for female college students; between an English teacher and his student–turned–lover in Japan; between a mother and her young son. In these pages, a woodcutter who loses his way home meets a man wearing a taxidermied wolf mask, and an Ivy League–educated “good black girl” climbs the flagpole in front of the capitol building in South Carolina. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature’s newest voices.

Browse by categories

Danielle Evans

The Office of Historical Corrections

Danielle Evans

Before You Suffocate Your Own Fool Self

Kathleen Collins

Notes from a Black Woman's Diary

Alice Dunbar-Nelson

The Goodness of St. Rocque

Yuka Igarashi

PEN America Best Debut Short Stories 2019