Rebecca Traister

Light Paperback (1 lb or less)

South Carolina

Unmarried Women and the Rise of an Independent Nation

"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--

All the Single Ladies

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Florida

Massachusetts

Come get a heavy dose of women's fiery determination. Feel the power of unstoppable activism. Book is missing outer sleeve.

Hardcover (1 to 2 lbs)

California

The Revolutionary Power of Women's Anger

***NEW YORK TIMES BESTSELLER*** ***BEST BOOKS OF 2018 SELECTION BY*** * WASHINGTON POST * People * NPR * ESQUIRE * ELLE * WIRED * REFINERY 29 * “In a year when issues of gender and sexuality dominated the national conversation, no one shaped that exchange more than Rebecca Traister. Her wise and provocative columns helped make sense of a cultural transformation.”—National Magazine Award Citation, 2018 “The most brilliant voice on feminism in this country.”—Anne Lamott, author of Bird by Bird From Rebecca Traister, the New York Times bestselling author of All the Single Ladies comes a vital, incisive exploration into the transformative power of female anger and its ability to transcend into a political movement. In the year 2018, it seems as if women’s anger has suddenly erupted into the public conversation. But long before Pantsuit Nation, before the Women’s March, and before the #MeToo movement, women’s anger was not only politically catalytic—but politically problematic. The story of female fury and its cultural significance demonstrates the long history of bitter resentment that has enshrouded women’s slow rise to political power in America, as well as the ways that anger is received when it comes from women as opposed to when it comes from men. With eloquence and fervor, Rebecca tracks the history of female anger as political fuel—from suffragettes marching on the White House to office workers vacating their buildings after Clarence Thomas was confirmed to the Supreme Court. Here Traister explores women’s anger at both men and other women; anger between ideological allies and foes; the varied ways anger is perceived based on its owner; as well as the history of caricaturing and delegitimizing female anger; and the way women’s collective fury has become transformative political fuel—as is most certainly occurring today. She deconstructs society’s (and the media’s) condemnation of female emotion (notably, rage) and the impact of their resulting repercussions. Highlighting a double standard perpetuated against women by all sexes, and its disastrous, stultifying effect, Traister’s latest is timely and crucial. It offers a glimpse into the galvanizing force of women’s collective anger, which, when harnessed, can change history.

Good and Mad

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A nuanced investigation into the sexual, economic, and emotional lives of women in America, this “singularly triumphant work” (Los Angeles Times) by Rebecca Traister “the most brilliant voice on feminism in the country” (Anne Lamott) is “sure to be vigorously discussed” (Booklist, starred review). In 2009, the award-winning journalist Rebecca Traister started All the Single Ladies—a book she thought would be a work of contemporary journalism—about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven. But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more. Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a “dramatic reversal.” All the Single Ladies is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, All the Single Ladies is destined to be a classic work of social history and journalism. Exhaustively researched, brilliantly balanced, and told with Traister’s signature wit and insight, this book should be shelved alongside Gail Collins’s When Everything Changed.

Vermont

Maryland

Book has some sun damage on the side (please see pictures) but the words on the pages were not affected 

New York

Used copy; signs of age on cover. Perfect on the inside.

#paperback #women #nonfiction #history #newyorktimesbestseller

West Virginia

Journalist Rebecca Traister's New York Times bestselling exploration of the transformative power of female anger and its ability to transcend into a political movement is "a hopeful, maddening compendium of righteous feminine anger, and the good it can do when wielded efficiently--and collectively" (Vanity Fair).

Long before Pantsuit Nation, before the Women's March, and before the #MeToo movement, women's anger was not only politically catalytic--but politically problematic. The story of female fury and its cultural significance demonstrates its crucial role in women's slow rise to political power in America, as well as the ways that anger is received when it comes from women as opposed to when it comes from men.

"Urgent, enlightened...realistic and compelling...Traister eloquently highlights the challenge of blaming not just forces and systems, but individuals" (The Washington Post). In Good and Mad, Traister tracks the history of female anger as political fuel--from suffragettes marching on the White House to office workers vacating their buildings after Clarence Thomas was confirmed to the Supreme Court. Traister explores women's anger at both men and other women; anger between ideological allies and foes; the varied ways anger is received based on who's expressing it; and the way women's collective fury has become transformative political fuel. She deconstructs society's (and the media's) condemnation of female emotion (especially rage) and the impact of their resulting repercussions.

Highlighting a double standard perpetuated against women by all sexes, and its disastrous, stultifying effect, Good and Mad is "perfectly timed and inspiring" (People, Book of the Week). This "admirably rousing narrative" (The Atlantic) offers a glimpse into the galvanizing force of women's collective anger, which, when harnessed, can change history.

Lizzie Skurnick

North Dakota

On Being Called Crazy, Angry, Bossy, Frumpy, Feisty, and All the Other Words That Are Used to Undermine Women

Leading women writers examine the power of the words that are used to diminish women Words matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless," "Sassy," "Ambitious," "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives--to say nothing of our moods. No one knows this better than Lizzie Skurnick, writer of the New York Times' column "That Should be A Word" and a veritable queen of cultural coinage. And in Pretty Bitches, Skurnick has rounded up a group of powerhouse women writers to take on the hidden meanings of these words, and how they can limit our worlds -- or liberate them. From Laura Lipmann and Meg Wolizer to Jennifer Weiner and Rebecca Traister, each writer uses her word as a vehicle for memoir, cultural commentary, critique, or all three. Spanning the street, the bedroom, the voting booth, and the workplace, these simple words have huge stories behind them -- stories it's time to examine, re-imagine, and change.

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Rebecca Traister

All the Single Ladies

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Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Lizzie Skurnick; Rebecca Traister

Pretty Bitches

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Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

All the Single Ladies

Rebecca Traister

Good and Mad

Lizzie Skurnick; Rebecca Traister

Pretty Bitches