Max Porter

Light Hardcover (1 lb or less)

New Jersey

A Novel

A novel about guilt, rage, imagination, and boyhood, about being lost in the dark and learning you’re not alone This is the story of a few strange hours in the life of a troubled teenage boy. You mustn’t do that to yourself Shy. You mustn’t hurt yourself like that. He is wandering into the night listening to the voices in his head: his teachers, his parents, the people he has hurt and the people who are trying to love him. Got your special meds, nutcase? He is escaping Last Chance, a home for “very disturbed young men,” and walking into the haunted space between his night terrors, his past, and the heavy question of his future. The night is huge and it hurts. In Shy, Max Porter extends the excavation of boyhood that began with Grief Is the Thing with Feathers and continued with Lanny. But here he asks: How does mischievous wonder and anarchic energy curdle into something more disturbing and violent? Shy is a bravura, lyric, music-besotted performance by one of the great writers of his generation.

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Light Paperback (1 lb or less)

California

Originally published: London: Faber & Faber Ltd, 2015.

Grief Is the Thing with Feathers

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Louisiana

Longlisted for the 2019 Booker Prize

An entrancing new novel by the author of the prizewinning Grief Is the Thing with Feathers

There's a village an hour from London. It's no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land's past.

It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap. He is listening to this twenty-first-century village, to its symphony of talk: drunken confessions, gossip traded on the street corner, fretful conversations in living rooms. He is listening, intently, for a mischievous, ethereal boy whose parents have recently made the village their home. Lanny.

With Lanny, Max Porter extends the potent and magical space he created in Grief Is the Thing with Feathers. This brilliant novel will ensorcell readers with its anarchic energy, with its bewitching tapestry of fabulism and domestic drama. Lanny is a ringing defense of creativity, spirit, and the generative forces that often seem under assault in the contemporary world, and it solidifies Porter's reputation as one of the most daring and sensitive writers of his generation.

Lanny

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An entrancing new novel by the author of the prizewinning Grief Is the Thing with Feathers There’s a village an hour from London. It’s no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land’s past. It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap. He is listening to this twenty-first-century village, to its symphony of talk: drunken confessions, gossip traded on the street corner, fretful conversations in living rooms. He is listening, intently, for a mischievous, ethereal boy whose parents have recently made the village their home. Lanny. With Lanny, Max Porter extends the potent and magical space he created in Grief Is the Thing with Feathers. This brilliant novel will ensorcell readers with its anarchic energy, with its bewitching tapestry of fabulism and domestic drama. Lanny is a ringing defense of creativity, spirit, and the generative forces that often seem under assault in the contemporary world, and it solidifies Porter’s reputation as one of the most daring and sensitive writers of his generation.

Alabama

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Crisp American edition of Porter’s eerie novel of English urban legend. Remainder marked (pictured), but otherwise in pristine condition.

Mississippi

This is the story of a horse trainer from the racetrack in Kentucky, who makes a journey through the old west in the late eighteen hundreds, match racing against the horsemen he meets. Match racing is a world apart from organized racing. The only rules in match racing are what you negotiate them to be. It is a world populated by semi-con men and gamblers. If you are not extremely careful it can be hazardous to your health, because some of the players are poor losers, who would rather fight than pay. Our story will furnish the reader an insight into the world of match racing, where it takes more than the best horse to be successful. It will also give you a sense of the dangers faced by a man traveling the long desolate trails of the undeveloped west. He must be on the alert at all times to protect himself and his horses from theives and bandits. The Author understand how the game is played in both organized and unorganized racing. He was involved in match racing in California for several years before he went to the racetrack as a trainer.

Odyssey of a Horseman

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Ohio

Georgia

Virginia

*PAPERBACK NOW AVAILABLE FOR PREORDER*

LONGLISTED FOR THE MAN BOOKER PRIZE 2019
LONGLISTED FOR THE WAINWRIGHT PRIZE 2019
SHORTLISTED FOR THE GORDON BURN PRIZE 2019

Not far from London, there is a village.

This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present.

It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here.

But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all.

Chimerical, audacious, strange and wonderful - a song to difference and imagination, to friendship, youth and love, Lanny is the globally anticipated new novel from Max Porter.

#paperback #bookerprize #maxporter #fiction #thriller #scary

Rhode Island

William Max Nelson

Rosalind Porter

Michigan

The Winners of the Third Notting Hill Editions Essay Prize

A collection of essays by the winner and the five finalists of the prestigious Notting Hill Editions Essay Prize 2017 Covering an array of subjects, from the meaning of art to supermarket shopping, these pieces were chosen for their originality, literary style, and above all, their ability to persuade. The judges awarded the first prize to “Five Ways of Being a Painting” by William Max Nelson for “its curious mix of the philosophical and the personal, the argumentative and the ruminative, that makes it a real essay.” The biennial Notting Hill Editions Essay Prize is open to all essays written in English of between 2,000 and 8,000 words, on any subject. The first prize is £20,000 and five runners up each receive £1,000, making it the richest non-fiction prize in the world. The judges of the 2017 prize were: Kirsty Gunn, essayist and novelist; Daniel Mendelsohn, essayist, memoirist and critic; Sameer Rahim, Arts & Books Editor of Prospect; and Rosalind Porter, Deputy Editor of Granta Magazine. The winner of the inaugural prize was Michael Ignatieff, with his essay on Raphael Lemkin and genocide; the 2015 prize was won by the African American author David Bradley with his essay on the use of the word “nigger.” Essays by runners-up Laura Esther Wolfson, Garret Keizer, Karen Holmberg, Patrick McGuinness, Dasha Shkurpela are included.

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William Max Nelson; Rosalind Porter

Five Ways of Being a Painting and Other Essays

William Max Nelson; Rosalind Porter

Five Ways of Being a Painting and Other Essays