Ellen Ullman

First edition 
Purchased from a library sale, this book has some sticker remnants as pictured 

Light Hardcover (1 lb or less)

Minnesota

The award-winning writer returns with a major, absorbing, atmospheric novel that takes on the most dramatic and profoundly personal subject matter

San Francisco in the 1970s. Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door--his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts withher adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas--and the most profound questions of her own identity--the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self-- "I have no idea what it means to say 'I'm a Jew'"--the patient finds her search stalled. Armed with the few details he's gleaned, the professor takes up the quest and quickly finds the patient's mother in records from a German displaced-persons camp. But he can't let on that he's been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and--most troubling of all--of the Nazi Lebensborn program.

With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

By Blood

be56db09-2335-4e9f-b995-a5fa76449b7b-1

Light Paperback (1 lb or less)

California

A Novel

ANew York Times Notable Book of the Year

San Francisco, the 1970s. A disgraced professor takes an office in an old downtown building to plot his return. But he is distracted by the sounds coming from the next room, the office of a psychiatrist. He overhears the therapy sessions of a young lesbian who is in search of her adoptive family. Enraptured by the sound of her voice and obsessed with her story, the professor takes up the patient's quest as his own and discovers the disturbing truth about her origins. As he sends each new revelation to the patient---disguised as correspondence from an adoption agency---she is energized by the information, but finds herself unmoored from everything she thought she knew about herself. With ferocious intelligence and enthralling, magnetic prose, Ellen Ullman'sBy Blood is a dark and brilliant novel about connection, identity, history, and the terrible desire to influence another life.

Connecticut

The Bugis a mesmerizing first novel about a demonic, elusive computer bug and the havoc it wreaks on the lives of the people around it. This rare combination–a novel of ideas and a suspense–is a story about obsession and love that takes readers deep into both the personal and virtual life. In 1984, at the dawn of the personal-computer era, Roberta Walton, a novice software tester at a SiliconValley start-up, stumbles across a bug. She brings it to its inadvertent creator, Ethan Levin, a longtime programmer who is working at the limits of his knowledge and abilities. Both believe this is a bug like any other to be found and fixed and crossed off the list. But no matter how obsessively Ethan combs through the depths of the code, he can't find its cause. Roberta runs test after test but can't make the bug appear at will. Meanwhile, the bug, living up to its name, "The Jester," shows itself only at the least opportune times and jeopardizes the fate of the company. Under the pressures of his obsession with the bug and his rapidly deteriorating personal life, Ethan begins to unravel. Roberta, on the other hand, is drawn to the challenge. Forced to learn how to program, she comes to appreciate the intense intimacy of speaking the computer's language. As she did inClose to the Machine, Ellen Ullman brilliantly limns the space between human beings and computers–a space we all occupy every day as we peer into our monitors. Ullman has been a computer programmer for more than twenty years, and having switched from code to prose, she has shown herself to be a unique, revelatory writer. She is the insider who can articulate the realities of the technical world, taking readers to emotional and intellectual places fiction has never brought them before. WithThe Bug, Ullman proves she is not only a remarkable essayist but also a master storyteller.

Browse by categories

Save this search

Ellen Ullman

By Blood

Ellen Ullman

By Blood

Ellen Ullman

The Bug

Ellen Ullman

By Blood