John Darnielle

Hardcover (1 to 2 lbs)

South Carolina

A Novel

From New York Times bestselling author and Mountain Goats’ singer/songwriter John Darnielle—“a master at building suspense” (Los Angeles Times)—comes an epic, gripping novel about murder, truth, artistic obsession, and the dangers of storytelling in Devil House. Gage Chandler is descended from kings. That’s what his mother always told him. Now, he is a true crime writer, with one grisly success—and movie adaptation—to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house—what the locals call “The Devil House”—in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. John Darnielle has long been known to millions of Mountain Goats fans as a storyteller of uncanny sensitivity and mythic power. In Universal Harvester and Wolf in White Van before it, he has proven himself a novelist of the highest order. With Devil House, Darnielle rises above with a novel that blurs the line between fact and fiction, that combines daring formal experimentation with a gripping tale of crime, writing, memory, and artistic obsession.

Devil House

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Light Hardcover (1 lb or less)

Kentucky

Creating fantastical mail-order role-playing games from his apartment where he endures a life of solitude after a disfiguring injury, Sean is blamed for a disaster involving two high school student clients, an event that compels him to reevaluate his own past.

Wolf in White Van

bc5cf576-5f65-4bcc-b886-b41c3c724e63-1

Washington

Library withdrawal. Plastic coating has been removed from dust jacket (left a little tearing in the outer coating of the book cover (see last pic). Library stamps on top of pages and first page. Barcode sticker on back. 

Oregon

From pet-free smoke-free incense-free home. Pages, covers, dust jacket perfect.

New York

Light Paperback (1 lb or less)

Florida

A New York Times Bestseller. Nominated for the National Book Award, Finalist for the Los Angeles Times Book Prize for First Fiction, and Winner of the Alex Award, "One of the Most Compelling Books of the Year" (Blake Butler, Vice)

Beautifully written and unexpectedly moving, John Darnielle's Wolf in White Van is "an indelible novel, a hymn for those who inhabit lonely universes, and a harbor for anyone who has sought refuge in a reality other than their own" (Patrick deWitt).

Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to explore. As the creator of "Trace Italian"-a text-based role-playing game that's played through the mail-Sean guides subscribers through his intricately imagined terrain, turn by turn, as they search out sanctuary in a ravaged, savage future America. But when Lance and Carrie, two teenaged seekers of the Trace, take their play outside the game, disaster strikes, and Sean is called on to account for it. In the process, he is pulled back through time, toward the beginning and the climax: the moment of his own self-inflicted departure from the world in which most people live.

New Jersey

Never read, like new condition. The dust jacket is in amazing shape as is the actual hard cover

Pennsylvania

Paperback (1 to 2 lbs)

Ohio

From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling.

Gage Chandler is descended from kings. That's what his mother always told him when he was a child. Years later, he is a true crime writer, with one grisly success--and a movie adaptation--to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell--his closest childhood friend lived there, once upon a time. He begins his research into the murders with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

Devil House is John Darnielle's most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.

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Some bending on front cover (visible in photo)

Michigan

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the Video Hut in Nevada, Iowa—a small town in the center of the state, the first “a” in Nevada pronounced “ay.” This is the late 1990s, and while the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: It’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, a different customer returns She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” Jeremy doesn’t want to be curious. But he takes a look and, indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly unsettling about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks much like a barn just outside of town. There will be no ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .

Universal Harvester

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California

North Carolina

Tennessee

Slight crinkle in the upper right corner but otherwise in perfect condition

Connecticut

Mississippi

#paperback #fiction #bookstagram #booktok #foundfootage #horror #literary #literaryfiction 

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut. So begins Universal Harvester, the haunting and masterfully unsettling new novel from John Darnielle, author of the New York Times Bestseller and National Book Award Nominee Wolf in White Van. A New York Times Bestseller "A moving, beautifully etched picture of America’s lost and profoundly lonely." —Kazuo Ishiguro, author of The Remains of the Day and winner of the 2017 Nobel Prize for Literature “Brilliant . . . Darnielle is a master at building suspense, and his writing is propulsive and urgent; it’s nearly impossible to stop reading . . . [Universal Harvester is] beyond worthwhile; it’s a major work by an author who is quickly becoming one of the brightest stars in American fiction.” —Michael Schaub, Los Angeles Times “Grows in menace as the pages stack up . . . [But] more sensitive than one would expect from a more traditional tale of dread.” —Joe Hill, New York Times Book Review (Editors’ Choice) “The most unsettling book I’ve read since House of Leaves.” —Adam Morgan, Electric Literature It’s the late ’90s, and you can find Jeremy Heldt at the VideoHut in Nevada, Iowa—a small town in the center of the state. The job is good enough for Jeremy, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a carwreck. But when a local school teacher comes in to return her copy of Targets—an old movie, starring Boris Karloff—the transaction jolts Jeremy out of his routine. “There’s something on it,” she says as she leaves the store, though she doesn’t elaborate. Two days later, another customer returns another tape, and registers the same odd complaint: “There’s another movie on this tape.” In Universal Harvester, the once-placid Iowa fields and farmhouses become sinister, imbued with loss and instability and foreboding. As Jeremy and those around him are absorbed into tapes, they become part of another story—one that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.

Massachusetts

This has some shipping wear. Never read. 

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