Shalane Flanagan

Elyse Kopecky

Never been read. New condition, smoke free home.

Heavy Hardcover (2 to 4 lbs)

California

Nourishing Recipes for Athletes: a Cookbook

From world-class marathoner and 4-time Olympian Shalane Flanagan and chef Elyse Kopecky comes a whole foods, flavor-forward cookbook--and New York Times bestseller--that proves food can be indulgent and nourishing at the same time. Finally here's a cookbook for runners that shows fat is essential for flavor and performance and that counting calories, obsessing over protein, and restrictive dieting does more harm than good. Packed with more than 100 recipes for every part of your day, mind-blowing nutritional wisdom, and inspiring stories from two fitness-crazed women that became fast friends more than 15 years ago, Run Fast. Eat Slow. has all the bases covered. You'll find no shortage of delicious meals, satisfying snacks, thirst-quenching drinks, and wholesome treats. Fan favorites include Can't Beet Me Smoothie, Arugula Cashew Pesto, High-Altitude Bison Meatballs, Superhero Muffins, Kale Radicchio Salad with Farro, and Double Chocolate Teff Cookies.

Run Fast. Eat Slow

9081079f-7720-435b-88fa-b4dc6eabc633-1

Emily Nussbaum

Book in excellent condition. Smoke free home.

Light Hardcover (1 lb or less)

Arguing My Way Through the TV Revolution

From The New Yorker's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch.

"Emily Nussbaum is the perfect critic-smart, engaging, funny, generous, and insightful."-David Grann, author of Killers of the Flower Moon

From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of #MeToo, wrestling with the question of what to do when the artist you love is a monster.

More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition-one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean.

Advance praise for I Like to Watch

"This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts-it's the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age."-Kurt Andersen, author of Fantasyland

"Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy."-Rebecca Traister

I Like to Watch

4a219cac-4ab1-4471-a433-00559e4dd76a-1

Paul Tremblay

Light fold on book jacket, book itself in excellent condition. Smoke free home.

Hardcover (1 to 2 lbs)

A Novel

NATIONAL BESTSELLER! BEST BOOK OF 2018 (Library Journal, NPR, Buzzfeed) LOCUS RECOMMENDED READING LIST - 2018 JULY 2018 INDIE NEXT PICK! SUMMER 2018 PUBLISHERS WEEKLY PICK! “A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King “A clinic in suspense, a story that opens with high-wire tension and never lets up from there.” — Michael Koryta "I tore through it in record time. I just couldn’t wait to see where Tremblay was going to take me next.” — Victor LaValle The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door. Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world." Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay. “Read Paul Tremblay's new novel, The Cabin at the End of the World, and you might not sleep for a week. Longer. It will shape your nightmares for months – that's pretty much guaranteed.” — NPR “Gripping, horrifying, and mesmerizing.” — GQ “A tour-de-force of psychological and religious horror.” — BN.com “A blinding tale of survival and sacrifice.” — Kirkus Reviews “Tremblay has a real winner here.” — Tor.com

The Cabin at the End of the World

d6b1f83d-ecd8-4562-b05d-2e0361cb6a39-1

Daniel Bernardi

Book in overall good condition. Some markings, text is completely legible. Smoke free home.

Heavy Paperback (2 to 4 lbs)

Leading scholars address the myriad ways in which America's attitudes about race informed the production of Hollywood films from the 1920s through the 1960s.

Classic Hollywood, Classic Whiteness

90ce2c85-1171-4e24-a81e-b3bda34c0545-0

David Henry Hwang

Light Paperback (1 lb or less)

With an Afterword by the Playwright

Winner of the Tony Award for Best Play, nominated for the Pulitzer Prize for Drama, and soon to be back on Broadway in a revival directed by the Lion King's Julie Taymor, starring Clive Owen "A brilliant play of ideas… a visionary work that bridges the history and culture of two worlds."—Frank Rich, New York Times Based on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government—and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive—and as elusive—as a butterfly. How could he have known that his true love was, in fact, a spy for the Chinese government—and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both. M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes—and the shadows we cast around our most cherished illusions. The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone. TEXT OF THE ORIGINAL BROADWAY PRODUCTION

M. Butterfly

72f51852-b0b4-49e1-b73e-4dcdc893a959-1

Benjamin Dreyer

Book in pristine condition. Smoke free home.

An Utterly Correct Guide to Clarity and Style

NEW YORK TIMES BESTSELLER • A sharp, funny grammar guide they’ll actually want to read, from Random House’s longtime copy chief and one of Twitter’s leading language gurus NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • Paste • Shelf Awareness “Essential (and delightful!)”—People We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike—not to mention his followers on social media—for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer’s English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it’s OK to begin a sentence with “And” or “But” and to confidently split an infinitive; and why it’s best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including “very,” “rather,” “of course,” and the dreaded “actually.” Dreyer will let you know whether “alright” is all right (sometimes) and even help you brush up on your spelling—though, as he notes, “The problem with mnemonic devices is that I can never remember them.” And yes: “Only godless savages eschew the series comma.” Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and—perhaps best of all—an utter treat for anyone who simply revels in language. Praise for Dreyer’s English “Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer’s English.”—The Wall Street Journal “Destined to become a classic.”—The Millions “Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He’ll entertain you while he’s at it.”—Newsday

Dreyer's English

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A Comprehensive Guide for the Digital Age

The Filmmaker’s Handbook

Peter Biskind

Book in good condition. May be some markings on inside pages. Smoke free home.

How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood

When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and experimentation reigned supreme. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age.
MARTIN SCORSESE ON DRUGS: "I did a lot of drugs because I wanted to do a lot, I wanted to push all the way to the very very end, and see if I could die."
DENNIS HOPPER ON EASY RIDER: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere."
GEORGE LUCAS ON STAR WARS: "Popcorn pictures have always ruled. Why do people go see them? Why is the public so stupid? That's not my fault."

Stanley Swindling

@stan_swin

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Shalane Flanagan; Elyse Kopecky

Run Fast. Eat Slow

Emily Nussbaum

I Like to Watch

Paul Tremblay

The Cabin at the End of the World

Daniel Bernardi

Classic Hollywood, Classic Whiteness

David Henry Hwang

M. Butterfly

Benjamin Dreyer

Dreyer's English

Steven Ascher

The Filmmaker’s Handbook

Peter Biskind

Easy Riders Raging Bulls

Venita Blackburn

Dead in Long Beach, California - Signed First Edition

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Shalane Flanagan; Elyse Kopecky

Run Fast. Eat Slow

Emily Nussbaum

I Like to Watch

Paul Tremblay

The Cabin at the End of the World

Daniel Bernardi

Classic Hollywood, Classic Whiteness

David Henry Hwang

M. Butterfly

Benjamin Dreyer

Dreyer's English

Steven Ascher

The Filmmaker’s Handbook

Peter Biskind

Easy Riders Raging Bulls

Venita Blackburn

Dead in Long Beach, California - Signed First Edition

Get The App