Maureen Ryan

Hardcover book in excellent condition. Smoke free home.

Hardcover (1 to 2 lbs)

California

Power, Complicity, and a Call for Change in Hollywood

NEW YORK TIMES BESTSELLER - LOS ANGELES TIMES BESTSELLER In this spectacular, newsmaking exposé that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid on patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited. It is never just One Bad Man. Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it's important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture, to see how abusers are created, fed, rewarded, allowed to persist, and, with the right tools, how they can be excised. In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood's corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more. Interviews with actors and famous creatives like Evan Rachel Wood, Harold Perrineau, Damon Lindelof, and Orlando Jones abound. Ryan dismantles, one by one, the myths that the entertainment industry promotes about itself, which have allowed abusers to thrive and the industry to avoid accountability--myths about Hollywood as a meritocracy, what it takes to be creative, the value of human dignity, and more. Weaving together insights from industry insiders, historical context, and pop-culture analysis, Burn It Down paints a groundbreaking and urgently necessary portrait of what's gone wrong in the entertainment world--and how we can fix it.

Burn It Down

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Shalane Flanagan

Elyse Kopecky

Never been read. New condition, smoke free home.

Heavy Hardcover (2 to 4 lbs)

Nourishing Recipes for Athletes: a Cookbook

From world-class marathoner and 4-time Olympian Shalane Flanagan and chef Elyse Kopecky comes a whole foods, flavor-forward cookbook--and New York Times bestseller--that proves food can be indulgent and nourishing at the same time. Finally here's a cookbook for runners that shows fat is essential for flavor and performance and that counting calories, obsessing over protein, and restrictive dieting does more harm than good. Packed with more than 100 recipes for every part of your day, mind-blowing nutritional wisdom, and inspiring stories from two fitness-crazed women that became fast friends more than 15 years ago, Run Fast. Eat Slow. has all the bases covered. You'll find no shortage of delicious meals, satisfying snacks, thirst-quenching drinks, and wholesome treats. Fan favorites include Can't Beet Me Smoothie, Arugula Cashew Pesto, High-Altitude Bison Meatballs, Superhero Muffins, Kale Radicchio Salad with Farro, and Double Chocolate Teff Cookies.

Run Fast. Eat Slow

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Emily Nussbaum

Book in excellent condition. Smoke free home.

Light Hardcover (1 lb or less)

Arguing My Way Through the TV Revolution

From The New Yorker's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch.

"Emily Nussbaum is the perfect critic-smart, engaging, funny, generous, and insightful."-David Grann, author of Killers of the Flower Moon

From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of #MeToo, wrestling with the question of what to do when the artist you love is a monster.

More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition-one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean.

Advance praise for I Like to Watch

"This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts-it's the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age."-Kurt Andersen, author of Fantasyland

"Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy."-Rebecca Traister

I Like to Watch

4a219cac-4ab1-4471-a433-00559e4dd76a-1

Paul Tremblay

Light fold on book jacket, book itself in excellent condition. Smoke free home.

A Novel

NATIONAL BESTSELLER! BEST BOOK OF 2018 (Library Journal, NPR, Buzzfeed) LOCUS RECOMMENDED READING LIST - 2018 JULY 2018 INDIE NEXT PICK! SUMMER 2018 PUBLISHERS WEEKLY PICK! “A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King “A clinic in suspense, a story that opens with high-wire tension and never lets up from there.” — Michael Koryta "I tore through it in record time. I just couldn’t wait to see where Tremblay was going to take me next.” — Victor LaValle The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door. Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world." Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay. “Read Paul Tremblay's new novel, The Cabin at the End of the World, and you might not sleep for a week. Longer. It will shape your nightmares for months – that's pretty much guaranteed.” — NPR “Gripping, horrifying, and mesmerizing.” — GQ “A tour-de-force of psychological and religious horror.” — BN.com “A blinding tale of survival and sacrifice.” — Kirkus Reviews “Tremblay has a real winner here.” — Tor.com

The Cabin at the End of the World

d6b1f83d-ecd8-4562-b05d-2e0361cb6a39-1

Daniel Bernardi

Book in overall good condition. Some markings, text is completely legible. Smoke free home.

Heavy Paperback (2 to 4 lbs)

Leading scholars address the myriad ways in which America's attitudes about race informed the production of Hollywood films from the 1920s through the 1960s.

Classic Hollywood, Classic Whiteness

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A Comprehensive Guide for the Digital Age

The Filmmaker’s Handbook

Peter Biskind

Book in good condition. May be some markings on inside pages. Smoke free home.

How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood

When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and experimentation reigned supreme. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age.
MARTIN SCORSESE ON DRUGS: "I did a lot of drugs because I wanted to do a lot, I wanted to push all the way to the very very end, and see if I could die."
DENNIS HOPPER ON EASY RIDER: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere."
GEORGE LUCAS ON STAR WARS: "Popcorn pictures have always ruled. Why do people go see them? Why is the public so stupid? That's not my fault."

Stanley Swindling

@stan_swin

Books Listed

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Maureen Ryan

Burn It Down

Shalane Flanagan; Elyse Kopecky

Run Fast. Eat Slow

Emily Nussbaum

I Like to Watch

Paul Tremblay

The Cabin at the End of the World

Daniel Bernardi

Classic Hollywood, Classic Whiteness

Steven Ascher

The Filmmaker’s Handbook

Peter Biskind

Easy Riders Raging Bulls

Venita Blackburn

[SIGNED] Dead in Long Beach, California

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Maureen Ryan

Burn It Down

Shalane Flanagan; Elyse Kopecky

Run Fast. Eat Slow

Emily Nussbaum

I Like to Watch

Paul Tremblay

The Cabin at the End of the World

Daniel Bernardi

Classic Hollywood, Classic Whiteness

Steven Ascher

The Filmmaker’s Handbook

Peter Biskind

Easy Riders Raging Bulls

Venita Blackburn

[SIGNED] Dead in Long Beach, California

Get The App