Rebecca Yarros

FAIRYLOOT UNSIGNED with sprayed edges and reversible dust jacket; 

Heavy Hardcover (2 to 4 lbs)

Missouri

Fourth Wing FAIRYLOOT

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Lex Croucher

Light Paperback (1 lb or less)

A Novel

A Regency-era romantic comedy with a deliciously feminist and queer twist, from the author of Reputation and Infamous. There's a new governess at Fairmont House, and she's going to be nothing but trouble. Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's––brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, and their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right. That is, as long as she doesn't get involved with the Edwards family's dramas. Emily refuses to care about her charges - Grace, who talks too much and loves too hard, and Aster, who is frankly terrifying but might just be the wittiest sixteen-year-old Emily has ever met - or the servants, who insist on acting as if they're each other's family. And she certainly hasn't noticed her employer, the brooding, taciturn Captain Edwards, no matter how good he might look without a shirt on . . . As Fairmont House draws her in, Emily's lies start to come undone. Can she fix her mistakes before it's too late?

Trouble

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Laura Wood

The daughter of an aging rock star finds herself working for the hottest musician on the planet and is shocked when sparks start to fly—especially since she swore she’d never, ever date a celebrity—in this unputdownable romance that is perfect for fans of Christina Lauren and Emily Henry. She wants three things. He isn’t one of them... Dumped by her cheating ex, fired from her dream job, and about to lose her flat: Clementine Monroe is not having a good day. So when her sisters get her drunk and suggest reviving a childhood ritual called the Breakup Spell, she doesn’t see the harm in it. But now Clemmie has accidentally ruined a funeral, had her first one-night stand, and she’s stuck with a new job she definitely doesn’t want—spending six weeks alone with the gorgeous and very-off-limits rock star, Theo Eliott. He’s the most famous man on the planet. Her life’s a disaster. As their summer together turns into its own kind of magic, is Clemmie cursed to repeat the mistakes of her past—or will her future see all her wishes come true?

Under Your Spell

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Hardcover (1 to 2 lbs)

Murder Road EVERNIGHT

Michael V. Smith

Confessional and immersive, Michael V. Smith's latest collection explores growing up queer and working class, then growing into an urban queer life. In these poems, we are immersed in the world of a young Smith as he shares the awkward dinners, the funerals, and the uncertainty of navigating fraught dynamics, bringing us into these most intimate moments of family life, while outrunning deep grief. Smith moves from first home to first queer experiences; the becoming that emanates from exploring one' s sexuality. Teenage crushes, video cameras, post-club hookups, fears and terrors, closeted lovers, daydreams of confronting your childhood bully: here is a broad tapestry of a contemporary life. Queers Like Me is an enveloping book-- a meditation on family complexity and a celebration of personal insight.

Queers Like Me

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Sean Patrick Mulroy

Sean Patrick Mulroy's Hated for the Gods invites the reader to embrace their queer heritage with disarming tenderness, and urges them to celebrate the joy of gay sex without shame. Plaintive and joyous, sexy and ferocious--often all at once--Hated for the Gods is as much a call to action as it is a work of literature. Gorgeously rendered and skillfully constructed both to educate and inspire, Sean Patrick Mulroy's poetry weaves together stories from his coming of age in the American South of the 1990s with the broader history of gay men in America. The result is a politically radical text that will leave you shocked with all you didn't know about the history of queer people, and surprised by what you already knew but never could articulate. A world-renowned poet and award-winning scholar, Mulroy's work exists in a lineage of fearless gay literature; from Shakespeare to Siken, Genji to Ginsberg. Masterfully intricate, yet effortlessly approachable, by turns hopeful and incendiary, Hated for the Gods, is a must-read for the LGBT+ community and their loved ones.

Hated for the Gods

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Benjamin Kessler

Franky Martin

In these seventeen stories, author Benjamin Kessler explores both the familiar and alien of the everyday. This debut collection asks not only what it means to change, but how to navigate life after emerging on the other side. Featuring an alien abduction, a botched bank robbery, and a man compelled to eat nothing but batteries, each story seeks to make sense of what it means to be human, if such a thing is even possible. "Benjamin Kessler's Of This World is a terrific collection. Its stories are compact, powerful, and often deeply strange--reflecting, in precise, evocative prose, the ever-more-surreal world in which we find ourselves living. A mesmerizing journey from first story to last." --Christopher Coake, author of You Would Have Told Me Not To "The stories in Of This World are so funny and unexpected, inhabited by strikingly different and memorable characters. Kessler has a gift for capturing fleeting, vivid moments that indelibly reveal a character's deepest fears or desires in a flash. What I love most is how these stories portray contradictory feelings in a single character or relationship--sadness and absurdity, love and loneliness--often at the same time. This is a lively, entertaining story collection that will stay with you." Gabriel Urza, author of All That Followed and The White Death: An Illusion Fiction.

Of This World

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Richie Hofmann

Poems

An erotic journal in poems, from a rising star in the American poetry scene, author of the highly acclaimed collection Second Empire. “A book of love poems that consciously and subversively hearken back to Shakespeare’s sonnets, marking Hofmann’s position as one of our necessary poets of erotic desire.” —Jericho Brown, Pulitzer Prize–winning author of The Tradition A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire. Bringing us both the carefully knotted silk ties of the wedding pair and their undress in a series of Hockney-like interiors where passion colors every object, Hofmann speaks plainly of the saliva, tears, and guts of the carnal, just as he does of the sublime in works of art. A Hundred Lovers invites us to consider our own memories of pleasure and pain, which fill the generous white space the poet leaves open to us between his ravishing lines.

A Hundred Lovers

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Amanda Gorman

The instant #1 New York Times, Wall Street Journal, and USA Today bestseller, now available in paperback and with bonus content! This luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Now in paperback and featuring an interview with the author and a discussion guide, Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.

Call Us What We Carry

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Safia Elhillo

Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children 

"Incredibly moving . . . Every single poem is stellar."--Roxane Gay, author of Difficult Women and Hunger

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. 

Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: 

[what if i will not die]
 
[what   will govern me then]

Girls That Never Die

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Misha Collins

From Misha Collins, actor, longtime poet, and activist, whose massive online following calls itself his "Army For Good," comes his debut poetry collection, Some Things I Still Can't Tell You. Trademark wit and subtle vulnerability converge in each poem; this book is both a celebration of and aspiration for a life well lived. This book is a compilation of small observations and musings. It's filled with moments of reflection and a love letter to simple joys: passing a simple blade of grass on the sidewalk, the freedom of peeing outdoors late at night, or the way a hand-built ceramic mug feels when it's full of warm tea on a chilly morning. It's a catalog and a compendium that examines the complicated experience of being all too human and interacting with a complex, confounding, breathtaking world ... and a reminder to stop and be awake and alive in yourself.

Some Things I Still Can't Tell You

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June Thomas

Six Spaces That Shaped Queer Women's Culture

A deeply researched and highly readable cultural history of queer women's lives in the second half of the twentieth century, told through six iconic spaces For as long as queer women have existed, they've created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren't a luxury--they're a necessity for queer women defining their identities. In A Place of Our Own, journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore. Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women's spaces of the '70s toward today's more inclusive yet more diffuse LGBTQ+ communities. At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history--and timeless present--of the lesbian community to vivid life.

A Place of Our Own

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Natasha Kanapé Fontaine

Howard Scott

Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for a stronger connection to her Indigeneity. A friendship with Katherine, an Indigenous woman whose life is filled with culture and community, underscores for Monica the possibilities of turning from assimilation and toxic masculinity to something much deeper-- and more universal than she expects. Travelling from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about the power of traditional ways and the struggles of other Nations. Throughout these journeys, physical and creative, she is guided by visions of giant birds and ancestors, who draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people. A timely and riveting story of reclamation, matriarchies, and the healing ability of traditional teachings, Nauetakuan: a Silence for a Sound underscores how reconnecting to lineage and community can transform Indigenous futures.

Nauetakuan, A Silence For A Noise

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James L. Sutter

Paperback (1 to 2 lbs)

One Last Stop meets Cemetery Boys in this swoony YA romance from beloved author James L. Sutter. Eighteen-year-old ghost hunter Cara is determined to escape life as a high school outcast by finding proof of the supernatural. Yet when she stumbles upon the spirit of Aiden, a popular upperclassman who died the previous year, she learns that ghosts have goals of their own. In the wake of his death, Aiden’s little sister, Meredith, has become a depressed recluse, and Aiden can’t pass on into the afterlife until he knows she’ll be okay. Believing that nothing pulls someone out of a slump like romance, he makes Cara a deal: seduce Meredith out of her shell and take her to prom, and Aiden will give Cara all the evidence she needs for fame. If not, well—no dates, no ghost. Wooing the standoffish Meredith isn’t going to be easy, however. With Aiden’s coaching, Cara slowly manages to win Meredith over—but finds herself accidentally falling for her in the process. Worse yet: as Meredith gets happier and Aiden’s mission nears completion, his ghost begins to fade. Can Cara continue to date Meredith under false pretenses, especially if it means Aiden will vanish forever? Or should she tell Meredith the truth, and risk both of them hating her? And either way, will she lose her only shot at proving ghosts are real?

The Ghost of Us

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Darkhearts

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Daniel Sarah Karasik

Disobedience

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Jodi McAlister

In this “full-on villain romance” (The New York Times) a group of women on a reality dating show should be vying for the love of their Romeo, but it turns out one of them only has eyes for the showrunner. Murray O’Connell is standing on the greatest precipice of his career. As showrunner of the reality dating show Marry Me, Juliet, Murray is determined to make this season a success. Nothing and nobody will stand in his way. Except perhaps Lily Fireball, the network’s choice for this season’s villain. Lily has classic reality TV appeal: She’s feisty, dramatic, and never backs down from a fight. She also happens to be Murray’s estranged best friend and former co-showrunner. What was once a perfectly planned season turns to chaos as the two battle for control. Working in reality television, they’re used to drama, secrets, and romance. But what happens when suddenly they’re at the center of the storyline?

Not Here to Make Friends

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Emily Pohl-Weary

A young adult novel about inner-city teens who live on a razor's edge and understand that chosen family is just as important as blood. Michie and her best friend Trissa grew up like sisters in a ramshackle duplex owned by their single moms. But now that they're sixteen, the differences in identity and experience have caused a rift. Michie's an introvert obsessed with a book called A Girl's Guide to Murder, and her mom has an organic weed and mushrooms grow-op in the basement. Shiny, extroverted Trissa, on the other hand, dances at the hottest nightclub in town, while her mother holds an ultra-responsible job at City Hall. One night, Michie wakes up one night to find Trissa missing, having left only a cryptic note. The cops write her off as a party girl who's probably already met a foul end, and the mothers fall apart from fear and grief, but Michie refuses to believe it. Enlisting help from her friend Anwar, who she's been in love with forever, Michie sets off to look for Trissa, knowing she's the only one who will. The search takes them into unfamiliar, dangerous territory: the back rooms of Trissa's luxury nightclub, dark alleyways, the online sex industry, and rural cottage country. As she begins to unravel Trissa's secrets against a backdrop of cold authority figures, shady characters, and a serial killer who's been active in the city, Michie knows she's plunging into danger--but she's determined to find her chosen sister and to bring her home safely.

How to Be Found

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Sadie Hartmann

For every reader who has excitedly wandered over to their local bookstore’s horror section only to find a few measly shelves with books you’ve already read by authors you’ve already heard of, this book is for you! Sadie Hartmann, better known as “Mother Horror” online, has put together the ultimate list of must-read novels, without a single repeat author, so you can confidently build up your TBR list. With books that span the genre’s full spectrum, from paranormal hauntings to creepy death cults, and small-town terrors to apocalyptic disasters, Sadie demonstrates that horror is so much more than slasher stories full of blood and guts (though you’re sure to find those inside too). Each recommendation is complete with a brief story summary, critical insight, and a featured quote to lure you in. And once you’ve made it through the list, fear not! Sadie includes plenty of resources and tips to find even more horror, such as bookstores with great selections or publishers to watch. This reader’s guide is the perfect gift for long-time fans of monsters and the macabre as well as a great introduction for curious readers who dare to delve into the dark.

101 Horror Books to Read Before You're Murdered

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Lori Fox

The Radicalization of a Working Class Queer

A powerful, personal critique of capitalist patriarchy as seen through the eyes of a queer radical.

Capitalism has infiltrated every aspect of our personal, social, economic, and sexual lives. By examining the politics of gender, environment, and sexuality, we can see the ways straight, cis, white, and especially male upper-class people control and subvert the other - queer, non-binary, BIPOC, and female bodies - in order to keep the working lower classes divided. Patriarchy and classism are forms of systemic violence which ensure that the main commodity of capitalism - a large, disposable, cheap, and ideally subjugated work force - is readily available. There is a lot wrong with the ways we live, work, and treat each other.

In essays that are both accessible and inspiring, Lori Fox examines their confrontations with the capitalist patriarchy through their experiences as a queer, non-binary, working-class farm hand, labourer, bartender, bush-worker, and road dog, exploring the ugly places where issues of gender, sexuality, class, and the environment intersect.

In applying the micro to the macro, demonstrating how the personal is political and vice versa, Fox exposes the flaws in believing that this is the only way our society can or should work. Brash, topical, and passionate, This Has Always Been a War is not only a collection of essays, but a series of dispatches from the combative front lines of our present-day culture.

This Has Always Been a War

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Emma R. Alban

comes with free art card! slight creasing on back

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other--the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It's 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth's skin crawl and she'd rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she's gotten all her flair, fun, and less-than-proper party games. "Let's get them together," she says. It doesn't take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen's father and Beth's newly widowed mother. Let them get married instead. "It'll be easy" she says. There's just...one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth's not mature enough for this... Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she's caught feelings, hard, and they're definitely not for her potential fiancé. That's the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

Don't Want You Like a Best Friend

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ended up with a second copy! fantastic gross horror read:)

SICK! Stories from the Goop Troop

Marjane Satrapi

Anjali Singh

20th Anniversary Edition

20th ANNIVERSARY EDITION • Persepolis is a classroom staple, a feminist manifesto, and one of the most beloved graphic novels of all time. For the first time in hardcover, this stunning edition contains a new introduction by the author that examines the Iranian political landscape in the context of global politics. "A stunning graphic memoir...a wholly original achievement in the form." —The New York Times Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed memoir-in-comic-strips. Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up. Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

The Complete Persepolis

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Jamie Marina Lau

A New York Times Book Review Editors' Choice

"[Lau's] gift for writing accumulative insanities creates the same dizzying effect as a good cleaning." --Alexandra Tanner, The New York Times Book Review

"A dissociative meditation on a world that has come to feel increasingly meaningless . . . [Lau's] prose combines the languid torpor of Michael Bible with the unease of Yoko Ogawa's more macabre work." ―Declan Fry, The Guardian

A black comedy workplace thriller set in a sprawling indoor shopping mall about a cabal of low-wage workers who plot violent acts of "resistance" against their managers.

In the suburb of Par Mars stand a pair of identical shopping centers, each with the same harsh, fluorescent lights, climate-controlled environment, and monotonous encounters between employees and shoppers.
 
Reviving an ancient Chinese ritual passed down by her mother, twenty-four-year-old Leen has opened an ear-cleaning and massage studio in the Topic Heights Shopping Center. But the social fabric of Par Mars is coming loose, and a quiet unrest is growing among the mall's low-wage workers as store managers begin to fall victim to increasingly brutal and spontaneous attacks. When Leen befriends Jean Paul, a pharmacist enmeshed in a cryptic online community, she finds herself embroiled in a troubling plot to disrupt the routines of the town's banal consumer culture.
 
With fierce intellect, sharp wit, and original prose, Jamie Marina Lau interprets and vividly portrays the everyday violence and toil of contemporary working life. Encapsulating millennial ennui and middle-class boredom, Gunk Baby is an inventive and deliberate novel from a fresh, new, exciting voice.

Browse by categories

Rebecca Yarros

Fourth Wing FAIRYLOOT

Lex Croucher

Trouble

Laura Wood

Under Your Spell

Simone St James

Murder Road EVERNIGHT

Michael V. Smith

Queers Like Me

Sean Patrick Mulroy

Hated for the Gods

Benjamin Kessler; Franky Martin

Of This World

Richie Hofmann

A Hundred Lovers

Amanda Gorman

Call Us What We Carry

Safia Elhillo

Girls That Never Die

Misha Collins

Some Things I Still Can't Tell You

June Thomas

A Place of Our Own

Natasha Kanapé Fontaine; Howard Scott

Nauetakuan, A Silence For A Noise

James L. Sutter

The Ghost of Us

James L. Sutter

Darkhearts

Daniel Sarah Karasik

Disobedience

Jodi McAlister

Not Here to Make Friends

Emily Pohl-Weary

How to Be Found

Sadie Hartmann

101 Horror Books to Read Before You're Murdered

Lori Fox

This Has Always Been a War

Emma R. Alban

Don't Want You Like a Best Friend

Lor Gislason, Shelley Lavigne, Eric Raglin

SICK! Stories from the Goop Troop

Marjane Satrapi; Anjali Singh

The Complete Persepolis

Jamie Marina Lau

Gunk Baby

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