Light Paperback (1 lb or less)

New York

Adirondack Country

F. C. Yee

Michael Dante DiMartino

Heavy Hardcover (2 to 4 lbs)

F. C. Yee's The Rise of Kyoshi delves into the story of Kyoshi, the Earth Kingdom-born Avatar. The longest-living Avatar in this beloved world's history, Kyoshi established the brave and respected Kyoshi Warriors, but also founded the secretive Dai Li, which led to the corruption, decline, and fall of her own nation. The first of two novels based on Kyoshi, The Rise of Kyoshi maps her journey from a girl of humble origins to the merciless pursuer of justice who is still feared and admired centuries after she became the Avatar.

Avatar, the Last Airbender: the Rise of Kyoshi

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Danielle Paige

Hardcover (1 to 2 lbs)

In this third book in the New York Times bestselling Dorothy Must Die series, new girl from Kansas Amy Gumm is caught between her home—and Oz. My name is Amy Gumm. Tornadoes must have a thing about girls from Kansas, because—just like Dorothy—I got swept away on one too. I landed in Oz, where Good is Wicked, Wicked is Good, and the Wicked Witches clued me in to my true calling: Assassin. The way to stop Dorothy from destroying Oz—and Kansas—is to kill her. And I’m the only one who can do it. But I failed. Others died for my mistakes. Because of me, the portal between the worlds has been opened. And if I don’t find a way to close it? Dorothy will make sure I never get to go home again. Now it’s up to me to: join the Witches, fight for Oz, save Kansas, and stop Dorothy once and for all.

Yellow Brick War

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The Wicked Will Rise

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The New York Times bestselling first book in a dark new series that reimagines the Oz saga, from debut author Danielle Paige. I didn't ask for any of this. I didn't ask to be some kind of hero. But when your whole life gets swept up by a tornado—taking you with it—you have no choice but to go along, you know? Sure, I've read the books. I've seen the movies. I know the song about the rainbow and the happy little blue birds. But I never expected Oz to look like this. To be a place where Good Witches can't be trusted, Wicked Witches may just be the good guys, and winged monkeys can be executed for acts of rebellion. There's still a road of yellow brick—but even that's crumbling. What happened? Dorothy. They say she found a way to come back to Oz. They say she seized power and the power went to her head. And now no one is safe. My name is Amy Gumm—and I'm the other girl from Kansas. I've been recruited by the Revolutionary Order of the Wicked. I've been trained to fight. And I have a mission: Remove the Tin Woodman's heart. Steal the Scarecrow's brain. Take the Lion's courage. And—Dorothy must die.

Dorothy Must Die

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Judy Root Aulette

Judith Wittner

Oversized Paperback (4 to 6 lbs)

Social Studies

Using the sociological imagination to explore gender relations throughout the world, Gendered Worlds looks at how concrete forms of gender, race, class, and sexual inequality operate transnationally; examines the impact of globalization on local and everyday life experiences; and identifies how local actors re-imagine social possibilities, resist injustice, and work toward change.

Gendered Worlds

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Mary Field Belenky

Blythe McVicker Clinchy

Nancy Rule Goldberger

Jill Mattuck Tarule

Mild discoloration on bottom of pages, severe warping from water damage

Heavy Paperback (2 to 4 lbs)

The Development of Self, Voice, and Mind

Despite the progress of the women's movement, many women still feel silenced in their families and schools. This moving and insightful bestseller, based on in-depth interviews with 135 women, explains why they feel this way. Updated with a new preface exploring how the authors' collaboration and research developed, this tenth anniversary edition addresses many of the questions that the authors have been asked repeatedly in the years since Women's Ways of Knowing was originally published.

Women's Ways of Knowing (10th Anniversary Edition)

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Cherrie Moraga

Young Women of Color on Today's Feminism

This landmark anthology offers gripping portraits of American life as seen through the eyes of young women of color

It has been decades since women of color first turned feminism upside down, exposing the feminist movement as exclusive, white, and unaware of the concerns and issues of women of color from around the globe. Since then, key social movements have risen, including Black Lives Matter, the transgender movement, and the activism of young undocumented students. Social media has also changed how feminism looks for young women of color, generating connections and access to audiences in all corners of the country. But we remain a country divided by race and gender.

Now, a new generation of outspoken women of color offer a much-needed fresh dimension to the shape of feminism of the future. InColonize This!, Daisy Hernandez and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing,Colonize This!will reach the hearts and minds of readers who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all colors.



Colonize This!

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Claire de Duras

John Fowles

John Fowles presents a remarkable translation of a nineteenth-century work that provided the seed for his acclaimed novel The French Lieutenant's Woman and that will astonish and haunt modern readers.

Based on a true story, Claire de Duras's Ourika relates the experiences of a Senegalese girl who is rescued from slavery and raised by an aristocratic French family during the time of the French Revolution. Brought up in a household of learning and privilege, she is unaware of her difference until she overhears a conversation that suddenly makes her conscious of her race--and of the prejudice it arouses. From this point on, Ourika lives her life not as a French woman but as a black woman who feels "cut off from the entire human race." As the Reign of Terror threatens her and her adoptive family, Ourika struggles with her unusual position as an educated African woman in eighteenth-century Europe.

A best-seller in the 1820s, Ourika captured the attention of Duras's peers, including Stendhal, and became the subject of four contemporary plays. The work represents a number of firsts: the first novel set in Europe to have a black heroine; the first French literary work narrated by a black female protagonist; and, as Fowles points out in the foreword to his translation, "the first serious attempt by a white novelist to enter a black mind."

Ourika

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Sallie Tisdale

An Intimate Philosophy of Sex

We live in a world in which most public images and interactions carry an element of sexual desire, yet it is nearly impossible for us to talk openly and honestly about sex. Talk Dirty to Me--a frank, funny, enlightened, and arousing portrait of sexuality in America--is the conversation we've been waiting for but have been afraid to start.

Talk Dirty to Me

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Jaclyn Friedman

Jessica Valenti

Paperback (1 to 2 lbs)

Visions of Female Sexual Power and a World Without Rape

Collects essays that provide a variety of perspectives and experiences that will educate and inform readers on the value of female sexuality and its correlation to a rape-free society.

Yes Means Yes!

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Michelle Tea

The Female Experience of Growing up Working Class

An urgent testament to the trials of life for women living without a financial safety net Indie icon Michelle Tea--whose memoir The Chelsea Whistle details her own working-class roots in gritty Chelsea, Massachusetts--shares these fierce, honest, tender essays written by women who can't go home to the suburbs when ends don't meet. When jobs are scarce and the money has dwindled, these writers have nowhere to go but below the poverty line. The writers offer their different stories not for sympathy or sadness, but an unvarnished portrait of how it was, is, and will be for generations of women growing up working class in America. These wide-ranging essays cover everything from selling blood for grocery money to the culture shock of "jumping" class. Contributors include Dorothy Allison, Bee Lavender, Eileen Myles, and Daisy Hernández.

Without a Net

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Madeleine L'Engle

3rd and 4th Entries of the Time Quintet

In A Swiftly Tilting Planet by Madeleine L'Engle, a companion to the Newbery Award winner A Wrinkle in Time and A Wind in the Door, fifteen-year-old Charles Wallace and the unicorn Gaudior undertake a perilous journey through time in a desperate attempt to stop the destruction of the world by the mad dictator Madog Branzillo. They are not alone in their quest. Charles Wallace's sister, Meg--grown and expecting her first child, but still able to enter her brother's thoughts and emotions by "kything"--goes with him in spirit. Charles Wallace must face the ultimate test of his faith and his will as he is sent within four people from another time, there to search for a way to avert the tragedy threatening them all.

A Swiftly Tilting Planet; Many Waters

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Kate DiCamillo

The Illuminated Adventures

Rescuing a squirrel after an accident involving a vacuum cleaner, comic-reading cynic Flora Belle Buckman is astonished when the squirrel, Ulysses, demonstrates astonishing powers of strength and flight after being revived. Novel interspersed with comic-style graphic sequences and full-page illustrations, all rendered in black-and-white.

Flora and Ulysses

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C. C. Hunter

Shadow Falls vampire Della Tsang teams up with a boy who might break her heart in order to save everyone she cares about from a new threat.

Reborn

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E. B. White

Beloved by generations, Charlotte's Web and Stuart Little are two of the most cherished stories of all time. Now, for the first time ever, these treasured classics are available in lavish new collectors' editions. In addition to a larger trim size, the original black-and-white art by Garth Williams has been lovingly colorized by renowned illustrator Rosemary Wells, adding another dimension to these two perfect books for young and old alike.

Charlotte's Web: Full Color Edition

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Ellen Potter

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life. As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth. Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room-a garden with a tragic secret. Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write. Read the Q&A with Ellen Potter from Publisher's Weekly on writing a novel inspired by The Secret Garden By Sally Lodge Jan 12, 2011 In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnett's The Secret Garden. Set in a mansion-a former children's tuberculosis sanitarium-on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape. Is it safe to assume that The Secret Garden was an important book to you as a child? Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadn't realized as a child. Was that an unusual reaction for you to have to a book you revisit from your childhood? Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I don't quite understand what it was that I loved about them. Rereading The Secret Garden, I felt a lot like Mary feels when she visits her garden. She's always finding something new popping up-something delightful or surprising. I've reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf-it's really quite a mess! The experience of reading the novel keeps deepening for me. How did you tackle the actual writing of The Humming Room? The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line-or that I wanted to-but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it. Did you set parameters for yourself, in terms of working within Burnett's original storyline? I actually kept trying to swerve away from the original story, but it wasn't easy. There's something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I don't plot my novels-I move along with my characters. For the first time I had a story already set out for me, which was very challenging. Would you say that you heard Burnett's voice in your head as you wrote? Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say it's the hardest thing I've ever written! You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence? I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didn't work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden. Similar in what ways? The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, it's incredibly changeable and moody-and sometimes violent. But it's always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. It's quite incredible. So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it? Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything-the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities. How did you set out to make Roo, Jack, and Phillip distinct from-and have a more modern sensibility than-Burnett's characters? One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. It's a young romance and entirely innocent, but it's there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colin's, but that didn't work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character-she's a pretty tough customer. That's unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well. Have you tackled another writing project since finishing The Humming Room? Yes. I'm working on a series for younger readers, for Feiwel and Friends. It's directed at boys-though I think girls will like it, too. I have a son who is seven, and I've been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So I'm trying to write something along those lines, but more appropriate for younger kids. As I write, I've been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, it's a method that seems to be working quite well! -Publisher's Weekly, January 2012

The Humming Room

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Kim Anderson

Reconstructing Native Womanhood

How are Native women defined? How has this sense of identity been influenced by European culture, and how have negative images been resisted? These are only a few of the questions Cree/Metis writer Kim Anderson addresses in this important book based on interviews with forty Native women from across Canada. Starting from the role of women in Indigenous societies prior to the arrival of Europeans, Anderson explores how female identity and power were systematically dismantled through colonization. Drawing on their own experiences, Native women describe how they are reclaiming their cultural traditions, and creating positive and powerful images of themselves which are true to their heritage. A Recognition of Being is a critical and inspiring history of Native womanhood. Features: based on interviews with forty Aboriginal women from across Canada and the author's own personal journey as a Native woman explores the central question of how Aboriginal women maintain power and construct a positive knowledge of the self contributes to a growing body of scholarship on Indigenous women's resistance to oppression

A Recognition of Being

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Renya K. Ramirez

Culture, Community, and Belonging in Silicon Valley and Beyond

Most Native Americans in the United States live in cities, where many find themselves caught in a bind, neither afforded the full rights granted U.S. citizens nor allowed full access to the tribal programs and resources--particularly health care services--provided to Native Americans living on reservations. A scholar and a member of the Winnebago Tribe of Nebraska, Renya K. Ramirez investigates how urban Native Americans negotiate what she argues is, in effect, a transnational existence. Through an ethnographic account of the Native American community in California's Silicon Valley and beyond, Ramirez explores the ways that urban Indians have pressed their tribes, local institutions, and the federal government to expand conventional notions of citizenship.

Ramirez's ethnography revolves around the Paiute American activist Laverne Roberts's notion of the "hub," a space that allows for the creation of a sense of belonging away from a geographic center. Ramirez describes "hub-making" activities in Silicon Valley, including sweat lodge ceremonies, powwows, and American Indian Alliance meetings, gatherings at which urban Indians reinforce bonds of social belonging and forge intertribal alliances. She examines the struggle of the Muwekma Ohlone, a tribe aboriginal to the San Francisco Bay area, to maintain a sense of community without a land base and to be recognized as a tribe by the federal government. She considers the crucial role of Native women within urban indigenous communities; a 2004 meeting in which Native Americans from Mexico and the United States discussed cross-border indigenous rights activism; and the ways that young Native Americans in Silicon Valley experience race and ethnicity, especially in relation to the area's large Chicano community. A unique and important exploration of diaspora, transnationalism, identity, belonging, and community, Native Hubs is intended for scholars and activists alike.

Native Hubs

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Exclusive Collector's Edition 

Eleanor & Park

Ransom Riggs

The Third Novel of Miss Peregrine's Peculiar Children

Time is running out for the Peculiar Children. With a dangerous madman on the loose and their beloved Miss Peregrine still in danger, Jacob Portman and Emma Bloom are forced to stage the most daring of rescue missions. They'll travel through a war-torn landscape, meet new allies, and face greater dangers than ever. . . . Will Jacob come into his own as the hero his fellow Peculiars know him to be? This action-packed adventure features more than 50 all-new Peculiar photographs.

Library of Souls

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The Fourth Novel of Miss Peregrine's Peculiar Children

"After having saved the peculiar world, Jacob Portman is back in Florida with his peculiar friends, where they set out on a journey across America to discover the truth about Jacob's grandfather"--

A Map of Days

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After a family tragedy, Jacob feels compelled to explore an abandoned orphanage on an island off the coast of Wales, discovering disturbing facts about the children who were kept there.

Miss Peregrine's Home for Peculiar Children

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Lisa Machoian

Learning the Language of Teenage Depression

Adults are increasingly concerned about the rising rate of depression in teenage girls and the frequency of alarming behaviors including wild conduct, explosive outbursts, back talking, sexual escapades, drug experimentation, and even cutting, eating disorders, and suicide attempts. The Disappearing Girl, the first book on depression in teenage girls, helps parents understand:
* Why silence reflects a girl's desperate wish for inclusion, not isolation
* Subtle differences between teen angst and problem behavior
* Vulnerabilities in dating, friendships, school, and families
* How, if untreated, girls will carry feelings of helplessness, anger, and depression into adulthood

Dr. Machoian also offers conversation topics to help girls navigate mixed messages, develop their identity, make healthy decisions, and build resilience that will empower them throughout life, as well as helping parents manage their own frustration.

The Disappearing Girl

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Bobbie's Books

Browse by categories

William Chapman White

Adirondack Country

F. C. Yee; Michael Dante DiMartino

Avatar, the Last Airbender: the Rise of Kyoshi

Danielle Paige

Yellow Brick War

Danielle Paige

The Wicked Will Rise

Danielle Paige

Dorothy Must Die

Judy Root Aulette; Judith Wittner

Gendered Worlds

Mary Field Belenky; Blythe McVicker Clinchy; Nancy Rule Goldberger; Jill Mattuck Tarule

Women's Ways of Knowing (10th Anniversary Edition)

Cherrie Moraga

Colonize This!

Claire de Duras; John Fowles

Ourika

Sallie Tisdale

Talk Dirty to Me

Jaclyn Friedman; Jessica Valenti

Yes Means Yes!

Michelle Tea

Without a Net

Madeleine L'Engle

A Swiftly Tilting Planet; Many Waters

Kate DiCamillo

Flora and Ulysses

C. C. Hunter

Reborn

E. B. White

Charlotte's Web: Full Color Edition

Ellen Potter

The Humming Room

Kim Anderson

A Recognition of Being

Renya K. Ramirez

Native Hubs

Rainbow Rowell

Eleanor & Park

Ransom Riggs

Library of Souls

Ransom Riggs

A Map of Days

Ransom Riggs

Miss Peregrine's Home for Peculiar Children

Lisa Machoian

The Disappearing Girl

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