Stephen King

Heavy Hardcover (2 to 4 lbs)

Texas

A Novel

A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It. In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.” In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute. As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

The Institute

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Gabrielle Zevin

In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends--often in love, but never lovers--come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality.

"Utterly brilliant. In this sweeping, gorgeously written novel, Gabrielle Zevin charts the beauty, tenacity, and fragility of human love and creativity. Tomorrow, and Tomorrow, and Tomorrow is one of the best books I've ever read."
--John Green
 
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts.
 
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

Tomorrow, and Tomorrow, and Tomorrow

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Eva Carter

Hardcover (1 to 2 lbs)

"What does it take to make a hero? Junior doctor Kerry Smith is addicted to rescuing others. Eighteen years ago, on the eve of the millennium, she saved the life of teenage footballer Joel Greenaway who 'died' for eighteen minutes. But life after death doesn't guarantee a happy ending"--

How to Save a Life

e148c263-d256-4eac-98cd-334f79a86014-1

Monica Heisey

Paperback (1 to 2 lbs)

NATIONAL BESTSELLER "Very funny--think Bridget Jones meets 'Broad City'. . . . Heisey is making a career out of guiding characters through the kinds of crises we can laugh at and sympathize with all at once, while upending enough rom-com tropes to keep things interesting." - Bethanne Patrick, Los Angeles Times "One of the most hilarious and barbed accounts of unexpectedly starting over I've ever read. . . . If you've ever felt lost and hoped that it was leading towards wisdom, Really Good, Actually is your novel." -- Stephanie Danler, New York Times bestselling author of Sweetbitter Recommended by Los Angeles Times * Washington Post * GQ * Elle * Good Morning America * People * Guardian * The Times * E! News Online * The Globe and Mail * Toronto Star * The Week * New York Post * Shondaland * and many more! A hilarious and painfully relatable debut novel about one woman's messy search for joy and meaning in the wake of an unexpected breakup, from comedian, essayist, and award-winning screenwriter Monica Heisey Maggie is fine. She's doing really good, actually. Sure, she's broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée(tm). Now she has time to take up nine hobbies, eat hamburgers at 4 am, and "get back out there" sex-wise. With the support of her tough-loving academic advisor, Merris; her newly divorced friend, Amy; and her group chat (naturally), Maggie barrels through her first year of single life, intermittently dating, occasionally waking up on the floor and asking herself tough questions along the way. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call "happiness". This is a remarkable debut from an unforgettable new voice in fiction. "A prime example of how a storyteller's voice can pull you right in and keep you clinging to every sentence. . . . This is a book I will give to my closest girlfriends and say, 'You have to read this.'" -- Zibby Owens, GoodMorningAmerica.com "Tremendously funny and thoughtful." -GQ

Really Good, Actually

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Light Paperback (1 lb or less)

i am healing

The Shadow work journal

Stephen Chbosky

Instant New York Times Bestseller One of Fall 2019's Best Books (People, EW, Lithub, Vox, Washington Post, and more) A young boy is haunted by a voice in his head in this acclaimed epic of literary horror from the author of The Perks of Being a Wallflower. Christopher is seven years old. Christopher is the new kid in town. Christopher has an imaginary friend. We can swallow our fear or let our fear swallow us. Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again. Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

Imaginary Friend

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Lionel Shriver

The gripping international bestseller about motherhood gone awry Eva never really wanted to be a mother—and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

We Need to Talk about Kevin

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Colleen Hoover

Instant New York Times Bestseller Combining a captivating romance with a cast of all-too-human characters, Colleen Hoover's It Ends With Us is an unforgettable tale of love that comes at the ultimate price. Lily hasn't always had it easy, but that's never stopped her from working hard for the life she wants. She's come a long way from the small town in Maine where she grew up--she graduated from college, moved to Boston, and started her own business. So when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily's life suddenly seems almost too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He's also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn't hurt. Lily can't get him out of her head. But Ryle's complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his "no dating" rule, she can't help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan--her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened.

It Ends with Us

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Ashley Audrain

"A tense, page-turning psychological drama about the making and breaking of a family, about a woman whose experience of motherhood is nothing at all what she hoped for--and everything she feared. Blythe Connor is determined that she will be the warm, comforting, supportive mother to her new baby Violet that she herself never had. But in the thick of motherhood's exhausting early days, Blythe becomes convinced that something is wrong with her daughter--Violet rejects her mother, screams uncontrollably, and becomes a disturbing, disruptive presence at her preschool. Or is it all in Blythe's head? Her husband, Fox, says she's imagining things. What he sees is an overwhelmed wife who can't cope with the day-to-day grind. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well. Then their son Sam is born--and with him, Blythe has the natural, blissful connection she'd always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth. Here, we see the making and breaking of a family in crystalline detail, and what it feels like when women are not believed. The Push is a tour de force you will read in a sitting, an utterly immersive pageturner that will challenge everything you think you know about motherhood, about our children, and about what happens behind the doors of even the most perfect-looking families. . "--

The Push

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Delia Owens

#1 NEW YORK TIMES BESTSELLING PHENOMENON More than 10 million copies sold worldwide A Reese’s Book Club Pick A Business Insider Defining Book of the Decade "I can't even express how much I love this book! I didn't want this story to end!"--Reese Witherspoon "Painfully beautiful."--The New York Times Book Review For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life--until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

Where the Crawdads Sing

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Yulin Kuang

The brilliant contemporary romance novel debut from Yulin Kuang, the acclaimed screenwriter of Emily Henry's People We Meet on Vacation and director of the forthcoming Beach Read feature film. Helen Zhang hasn't seen Grant Shepard once in the thirteen years since the car wreck that killed her sister tied their lives together forever. Now a bestselling author, Helen pours everything into her career. She's even scored a coveted spot in the writers' room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer's block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except... Grant has done everything in his power to move on from the past, including building a life across the country. And while the panic attacks have never quite gone away, he's well liked around town as a screenwriter. He knows he shouldn't have taken the job on Helen's show, but it will open doors to developing his own projects that he just can't pass up. Grant's exactly as Helen remembers him--charming, funny, popular, and lovable in ways that she's never been. And Helen's exactly as Grant remembers too--brilliant, beautiful, closed off. But working together is messy, and electrifying, and Helen's parents, who have never forgiven Grant, have no idea he's in the picture at all. When secrets come to light, they must reckon with the fact that theirs was never meant to be any kind of love story. And yet... the key to making peace with their past--and themselves--might just lie in holding on to each other in the present.

How to End a Love Story

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Lynn Painter

Perfect for fans of Kasie West and Jenn Bennett, this "sweet and funny" (Kerry Winfrey, author of Waiting for Tom Hanks) teen rom-com follows a hopelessly romantic teen girl and her cute yet obnoxious neighbor as they scheme to get her noticed by her untouchable crush.

Perpetual daydreamer Liz Buxbaum gave her heart to Michael a long time ago. But her cool, aloof forever crush never really saw her before he moved away. Now that he's back in town, Liz will do whatever it takes to get on his radar--and maybe snag him as a prom date--even befriend Wes Bennet.

The annoyingly attractive next-door neighbor might seem like a prime candidate for romantic comedy fantasies, but Wes has only been a pain in Liz's butt since they were kids. Pranks involving frogs and decapitated lawn gnomes do not a potential boyfriend make. Yet, somehow, Wes and Michael are hitting it off, which means Wes is Liz's in.

But as Liz and Wes scheme to get Liz noticed by Michael so she can have her magical prom moment, she's shocked to discover that she likes being around Wes. And as they continue to grow closer, she must reexamine everything she thought she knew about love--and rethink her own ideas of what Happily Ever After should look like.

Better Than the Movies

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Jessamine Chan

Longlisted for the 2023 Carnegie Medal for Excellence
Shortlisted for The Center for Fiction 2022 First Novel Prize
Selected as One of Barack Obama's Favorite Books of 2022!

In this New York Times bestseller and Today show Read with Jenna Book Club Pick, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance, in this "surreal" (People), "remarkable" (Vogue), and "infuriatingly timely" (The New York Times Book Review) debut novel.

Frida Liu is struggling. She doesn't have a career worthy of her Chinese immigrant parents' sacrifices. She can't persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eye on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgement, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother's devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

An "intense" (Oprah Daily), "captivating" (Today) page-turner that is also a transgressive novel of ideas about the perils of "perfect" upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The School for Good Mothers

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Emily Henry

When Poppy met Alex, there was no spark, no chemistry, and no reason to think they'd ever talk again. Alex is quiet, studious, and destined for a future in academia. Poppy is a wild child who only came to U of Chicago to escape small-town life. Over the years, Alex and Poppy's lives take them in different directions, but every summer the two find their way back to each other for a magical week long vacation

lorena

@itslorexx

Books Listed

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Stephen King

The Institute

Gabrielle Zevin

Tomorrow, and Tomorrow, and Tomorrow

Eva Carter

How to Save a Life

Monica Heisey

Really Good, Actually

zenfulnoet

The Shadow work journal

Stephen Chbosky

Imaginary Friend

Lionel Shriver

We Need to Talk about Kevin

Colleen Hoover

It Ends with Us

Ashley Audrain

The Push

Delia Owens

Where the Crawdads Sing

Yulin Kuang

How to End a Love Story

Lynn Painter

Better Than the Movies

Jessamine Chan

The School for Good Mothers

Emily Henry

People We Meet on Vacation

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Stephen King

The Institute

Gabrielle Zevin

Tomorrow, and Tomorrow, and Tomorrow

Eva Carter

How to Save a Life

Monica Heisey

Really Good, Actually

zenfulnoet

The Shadow work journal

Stephen Chbosky

Imaginary Friend

Lionel Shriver

We Need to Talk about Kevin

Colleen Hoover

It Ends with Us

Ashley Audrain

The Push

Delia Owens

Where the Crawdads Sing

Yulin Kuang

How to End a Love Story

Lynn Painter

Better Than the Movies

Jessamine Chan

The School for Good Mothers

Emily Henry

People We Meet on Vacation

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