Kat Chow

Hardcover (1 to 2 lbs)

Pennsylvania

A Memoir

For readers of Helen Macdonald and Elizabeth Alexander, an intimate and haunting portrait of grief and the search for meaning from a singular new talent as told through the prism of three generations of her Chinese American family. Born two years after her parents' only son died just hours after his birth, Kat Chow became unusually fixated with death. She worried constantly about her parents dying -- especially her mother. One morning, when Kat was nine, her mother, a vivacious and mischievous woman, casually made a morbid joke: When she eventually dies, she said laughing, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her. Four years later when her mother dies unexpectedly from cancer, Kat, her two older sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together what is part ghost story and part excavation of her family's history of loss spanning three generations and their immigration from China and Hong Kong to America and Cuba. This redemptive coming-of-age story uncovers the uncanny parallels in Kat's lineage, including the strength of sisterhood and the complicated duty of looking after parents, even after death. Seeing Ghosts asks what it means to claim and tell your family's story: Is writing an exorcism or is it its own form of preservation? What do we owe to our families in our grief, and how does it shape us? In order to answer these questions and to understand her family's ghosts, Kat unearths their sorrow and challenges the power structures of race, class, and gender. The result is an extraordinary new contribution to the literature of grief and the American family, and a provocative and transformative meditation on who we become under the specter of loss.

Seeing Ghosts

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Cleo Qian

Light Paperback (1 lb or less)

"Qian has a gift for sensory details, and for the speculative and grotesque. . . . a pleasure to read."--Raven Leilani, author of Luster

Let's Go Let's Go Let's Go

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Bryan Washington

Stories

One of Barack Obama’s “Favorite Books of the Year” "Phenomenal" --Justin Torres, author of We the Animals "Brilliant" --Nicole Dennis-Benn, author of Here Comes the Sun “A profound exploration of the true meaning of borders.” —The New York Times Book Review NAMED ONE OF THE 10 BEST BOOKS OF 2019 in the New York Times by Dwight Garner A New York Times Notable Book of 2019 In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys. Around him, others live and thrive and die in Houston's myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra. Bryan Washington's brilliant, viscerally drawn world vibrates with energy, wit, raw power, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.

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Emma Dabiri

The Tangled History of Black Hair Culture

From Guardian contributor and prominent BBC race correspondent Emma Dabiri comes a timely and resonant essay collection exploring the ways in which black hair has been appropriated and stigmatized throughout history, with ruminations on body politics, race, pop culture, and Dabiri's own journey to loving her hair. Emma Dabiri can tell you the first time she chemically straightened her hair. She can describe the smell, the atmosphere of the salon, and her mix of emotions when she saw her normally kinky tresses fall down her shoulders. For as long as Emma can remember, her hair has been a source of insecurity, shame, and--from strangers and family alike--discrimination. And she is not alone. Despite increasingly liberal world views, black hair continues to be erased, appropriated, and stigmatized to the point of taboo. Through her personal and historical journey, Dabiri gleans insights into the way racism is coded in society's perception of black hair--and how it is often used as an avenue for discrimination. Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, and into today's Natural Hair Movement, exploring everything from women's solidarity and friendship, to the criminalization of dreadlocks, to the dubious provenance of Kim Kardashian's braids. Through the lens of hair texture, Dabiri leads us on a historical and cultural investigation of the global history of racism--and her own personal journey of self-love and finally, acceptance. Deeply researched and powerfully resonant, Twisted proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.

Twisted

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R. O. Kwon

A New York Times Notable Book Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. A Most-Anticipated book of 2021 as selected by * Marie Claire * O, The Oprah Magazine * Cosmopolitan * Time * The Millions * The Advocate * Autostraddle * Refinery29 * Shape * Town & Country * Book Riot * Literary Hub * Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors. The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a sex theater in early-20th century Paris. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.

Kink

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James McBride

Light Hardcover (1 lb or less)

The Heaven and Earth Grocery Store

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A Novel

From the bestselling, award-winning author of Memorial and Lot, an irresistible, intimate novel about two young men, once best friends, whose lives collide again after a loss. Cam is living in Los Angeles and falling apart after the love of his life has died. Kai's ghost won't leave Cam alone; his spectral visits wild, tender, and unexpected. When Cam returns to his hometown of Houston, he crashes back into the orbit of his former best friend, TJ, and TJ's family bakery. TJ's not sure how to navigate this changed Cam, impenetrably cool and self-destructing, or their charged estrangement. Can they find a way past all that has been said - and left unsaid - to save each other? Could they find a way back to being okay again, or maybe for the first time? When secrets and wounds become so insurmountable that they devour us from within, hope and sustenance and friendship can come from the most unlikely source. Spanning Los Angeles, Houston, and Osaka, Family Meal is a story about how the people who know us the longest can hurt us the most, but how they also set the standard for love. With his signature generosity and eye for food, sex, love, and the moments that make us the most human, Bryan Washington returns with a brilliant new novel.

Family Meal

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Eddie S. Glaude

James Baldwin's America and Its Urgent Lessons for Our Own

NEW YORK TIMES BESTSELLER * "A powerful study of how to bear witness in a moment when America is being called to do the same."--Time
 
James Baldwin grew disillusioned by the failure of the civil rights movement to force America to confront its lies about race. What can we learn from his struggle in our own moment?
 
Named one of the best books of the year by Time, The Washington Post, and the Chicago Tribune * Winner of the Stowe Prize * Shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social Justice
 
"Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again."--James Baldwin
 
Begin Again is one of the great books on James Baldwin and a powerful reckoning with America's ongoing failure to confront the lies it tells itself about race. Just as in Baldwin's "after times," argues Eddie S. Glaude Jr., when white Americans met the civil rights movement's call for truth and justice with blind rage and the murders of movement leaders, so in our moment were the Obama presidency and the birth of Black Lives Matter answered with the ascendance of Trump and the violent resurgence of white nationalism.
 
In these brilliant and stirring pages, Glaude finds hope and guidance in Baldwin as he mixes biography--drawn partially from newly uncovered Baldwin interviews--with history, memoir, and poignant analysis of our current moment to reveal the painful cycle of Black resistance and white retrenchment. As Glaude bears witness to the difficult truth of racism's continued grip on the national soul, Begin Again is a searing exploration of the tangled web of race, trauma, and memory, and a powerful interrogation of what we must ask of ourselves in order to call forth a new America.

Begin Again

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August Thompson

“Anyone’s Ghost is about so very many things: the pains of growing up, friendship and pining, drugs, sex, the frustrations of masculinity and the thrill of testing death itself. But more than any of that, it is an overwhelmingly beautiful love story. This book will make you cry.” —Jonathan Safran Foer “You know those books that you take with you everywhere? That you won’t stop talking about to your friends? That bring it all back? That change you? Anyone’s Ghost is that book. Thompson has fired a literary flare into the black night of the universe and the illumination is spectacular.” —Junot Díaz An extraordinary debut novel in which the transforming love and friendship between two young men during one unforgettable teenage summer in rural New England haunts them into adulthood It took three car crashes to kill Jake. Theron David Alden is there for the first two: the summer they meet in rural New Hampshire, when he’s fifteen and anxious, and Jake’s seventeen and a natural; then six years later in New York City, those too-short, ecstatic, painful nights that change both their lives forever—the end of the dream and the longing for the dream and the dream itself, all at once. Theron is not there for the third crash. And yet, their story contains so much joy and self-discovery: the glorious, stupid simplicity of a boyhood joke; the devastation of insecurity; the way a great song can distill a universe; the limits of what we can know about each other; the mysterious, porous, ungraspable fault line between yourself and the person you love better than yourself; the beautiful, toxic elixir of need and hope and want. Brimming with rare, radioactive talent, August Thompson has written a love story that is electrically alive and exquisitely tuned. In the words of Jonathan Safran Foer, “This book will make you cry.”

Anyone's Ghost

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Nicole Krauss

ONE OF THE MOST LOVED NOVELS OF THE DECADE.

A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness.

Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).

History of Love

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Ottessa Moshfegh

Paperback (1 to 2 lbs)

Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour. So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.

Eileen

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Mary H. K. Choi

From New York Times bestselling author Mary H.K. Choi comes a funny and emotional story about two estranged sisters and how far they’ll go to save one of their lives—even if it means swapping identities. Jayne and June Baek are nothing alike. June’s three years older, a classic first-born, know-it-all narc with a problematic finance job and an equally soulless apartment (according to Jayne). Jayne is an emotionally stunted, self-obsessed basket case who lives in squalor, has egregious taste in men, and needs to get to class and stop wasting Mom and Dad’s money (if you ask June). Once thick as thieves, these sisters who moved from Seoul to San Antonio to New York together now don’t want anything to do with each other. That is, until June gets cancer. And Jayne becomes the only one who can help her. Flung together by circumstance, housing woes, and family secrets, will the sisters learn more about each other than they’re willing to confront? And what if while helping June, Jayne has to confront the fact that maybe she’s sick, too?

Yolk

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Zaure Batayeva

Heavy Paperback (2 to 4 lbs)

Women's Writing from Kazakhstan

An unprecedented collection of women's voices from the heart of Central Asia. From the foreword by Gabriel Mcguire: "I cannot think of anything quite like ... Amanat." A man is arrested for a single typo, a woman gets on buses at random, and two friends reunite in a changed world.... Diverse in form, scope and style, Amanat brings together the voices of thirteen female Kazakhstani writers, to offer a glimpse into the many lives, stories, and histories of one of the largest countries to emerge from the breakup of the Soviet Union. The twenty-four stories in Amanat, translated into English from Kazakh and Russian, comprise a groundbreaking survey of women's writing in the Central Asian country over its thirty years of independence, paying homage to the rich but largely unrecorded oral storytelling tradition of the region. Contemplating nostalgia, politics, and intergenerational history in a time altered by modernity, Amanat acutely traces the uncertainties, struggles, joys, and losses of a corner of the post-Soviet world often unseen and overlooked. Utterly absorbing, Amanat is an invitation to listen-the women of Kazakhstan have stories to tell.

Amanat

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John D. Barrow

A Short Guide to the Boundless, Timeless and Endless

For a thousand years, infinity has proven to be a difficult and illuminating challenge for mathematicians and theologians. It certainly is the strangest idea that humans have ever thought. Where did it come from and what is it telling us about our Universe? Can there actually be infinities? Is matter infinitely divisible into ever-smaller pieces? But infinity is also the place where things happen that don't. All manner of strange paradoxes and fantasies characterize an infinite universe. If our Universe is infinite then an infinite number of exact copies of you are, at this very moment, reading an identical sentence on an identical planet somewhere else in the Universe. Now Infinity is the darling of cutting edge research, the measuring stick used by physicists, cosmologists, and mathematicians to determine the accuracy of their theories. From the paradox of Zeno’s arrow to string theory, Cambridge professor John Barrow takes us on a grand tour of this most elusive of ideas and describes with clarifying subtlety how this subject has shaped, and continues to shape, our very sense of the world in which we live. The Infinite Book is a thoroughly entertaining and completely accessible account of the biggest subject of them all–infinity.

The Infinite Book

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Heather Ann Thompson

The Attica Prison Uprising of 1971 and Its Legacy

PULITZER PRIZE WINNER * The definitive history of the infamous 1971 Attica Prison uprising, the state's violent response, and the victim's decades-long quest for justice. * Thompson served as the Historical Consultant on the Academy Award-nominated documentary feature ATTICA

"Gripping ... deals with racial conflict, mass incarceration, police brutality and dissembling politicians ... Makes us understand why this one group of prisoners [rebelled], and how many others shared the cost." --The New York Times

On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian employees hostage, the prisoners negotiated with officials for improved conditions during the four long days and nights that followed.

On September 13, the state abruptly sent hundreds of heavily armed troopers and correction officers to retake the prison by force. Their gunfire killed thirty-nine men--hostages as well as prisoners--and severely wounded more than one hundred others. In the ensuing hours, weeks, and months, troopers and officers brutally retaliated against the prisoners. And, ultimately, New York State authorities prosecuted only the prisoners, never once bringing charges against the officials involved in the retaking and its aftermath and neglecting to provide support to the survivors and the families of the men who had been killed.
 
Drawing from more than a decade of extensive research, historian Heather Ann Thompson sheds new light on every aspect of the uprising and its legacy, giving voice to all those who took part in this forty-five-year fight for justice: prisoners, former hostages, families of the victims, lawyers and judges, and state officials and members of law enforcement. Blood in the Water is the searing and indelible account of one of the most important civil rights stories of the last century.

(With black-and-white photos throughout)



Blood in the Water

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Jessamine Chan

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance. Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough. Until Frida has a very bad day. The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion. Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good. A searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The School for Good Mothers

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M. Leona Godin

A Personal and Cultural History of Blindness

From Homer to Helen Keller, from Dune to Stevie Wonder, from the invention of braille to the science of echolocation, M. Leona Godin explores the fascinating history of blindness, interweaving it with her own story of gradually losing her sight.

"[A] thought-provoking mixture of criticism, memoir, and advocacy." --The New Yorker

There Plant Eyes probes the ways in which blindness has shaped our ocularcentric culture, challenging deeply ingrained ideas about what it means to be "blind." For millennia, blindness has been used to signify such things as thoughtlessness ("blind faith"), irrationality ("blind rage"), and unconsciousness ("blind evolution"). But at the same time, blind people have been othered as the recipients of special powers as compensation for lost sight (from the poetic gifts of John Milton to the heightened senses of the comic book hero Daredevil).

Godin--who began losing her vision at age ten--illuminates the often-surprising history of both the condition of blindness and the myths and ideas that have grown up around it over the course of generations. She combines an analysis of blindness in art and culture (from King Lear to Star Wars) with a study of the science of blindness and key developments in accessibility (the white cane, embossed printing, digital technology) to paint a vivid personal and cultural history.

A genre-defying work, There Plant Eyes reveals just how essential blindness and vision are to humanity's understanding of itself and the world.

There Plant Eyes

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Violet Kupersmith

Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into "a thrilling read, acrobatic and filled with verve" (The New York Times Editors' Choice).
 
FINALIST FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE * LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION * ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews

"Fiction as daring and accomplished as Violet Kupersmith's first novel reignites my love of the form and its kaleidoscopic possibilities."--David Mitchell, author of Cloud Atlas

Two young women go missing decades apart. Both are fearless, both are lost. And both will have their revenge.

1986: The teenage daughter of a wealthy Vietnamese family loses her way in an abandoned rubber plantation while fleeing her angry father and is forever changed. 

2011: A young, unhappy Vietnamese American woman disappears from her new home in Saigon without a trace. 

The fates of these two women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Alongside them, we meet a young boy who is sent to a boarding school for the métis children of French expatriates, just before Vietnam declares its independence from colonial rule; two Frenchmen who are trying to start a business with the Vietnam War on the horizon; and the employees of the Saigon Spirit Eradication Co., who find themselves investigating strange occurrences in a farmhouse on the edge of a forest. Each new character and timeline brings us one step closer to understanding what binds them all. 

Build Your House Around My Body takes us from colonial mansions to ramshackle zoos, from sweaty nightclubs to the jostling seats of motorbikes, from ex-pat flats to sizzling back-alley street carts. Spanning more than fifty years of Vietnamese history and barreling toward an unforgettable conclusion, this is a time-traveling, heart-pounding, border-crossing fever dream of a novel that will haunt you long after the last page.

Build Your House Around My Body

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Elizabeth Alexander

"In the midst of civil unrest in the summer of 2020 following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, one of the great literary voices of our time, Elizabeth Alexander, wrote a moving reflection on the psyche of young Black America, turning a mother's eye to her sons' generation. Originally published in the New Yorker, the essay brilliantly and lovingly observed the lives and attitudes of young people who even as children could never be shielded from the brutality that has ended so many Black boys and men's lives. With camera phones and internet access, the racist violence that has plagued America throughout its history has become more extensively documented, and immediately and constantly accessible through news articles and social media posts. The children of this generation were teens too when Trayvon Martin was murdered in 2012 before reaching adulthood, becoming the first in a series of now well known names, and any efforts from mothers to protect their sons from the heartbreaking truth of our society was futile in the digital age of information. Now, the viral essay which spoke so resonantly to this unique historical moment that it was shared and praised by Barack Obama, John Legend, Melissa Harris Perry, and many more, is expounded upon, bookended by additional essays woven with profound insight and heart and combined with groundbreaking art by prominent and up-and-coming Black artists. Taking the reader through our past and extrapolating its lasting impact through to our current moment, Elizabeth then turns her eye to the radical potential of our future. Through her lyrical prose, Elizabeth Alexander writes with pride, fear, love, and a keen awareness of the reflective power of pop culture and art on the nature of racism and the fight for racial justice as it spans and evolves across generations. These essays are essential reading, a breathtaking expression of both the hope and horror of this era"--

The Trayvon Generation

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Farah Nayeri

Art and Power in the Digital Age

Farah Nayeri addresses the difficult questions plaguing the art world, from the bad habits of Old Masters, to the current grappling with identity politics. For centuries, art censorship has been a top-down phenomenon--kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking and answering questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown provides the necessary tools to navigate the art world.

Takedown

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James Kilgore

Electronic Monitoring, the Surveillance State, and the Future of Mass Incarceration

A riveting primer on the growing trend of surveillance, monitoring, and control that is extending our prison system beyond physical walls and into a dark future--by the prize-winning author of Understanding Mass Incarceration "James Kilgore is one of my favorite commentators regarding the phenomenon of mass incarceration and the necessity of pursuing truly transformative change." --Michelle Alexander, author of The New Jim Crow During the last decade, as consensus has grown that mass incarceration is morally reprehensible, financially unsustainable, and politically unviable, criminal justice reforms that release prisoners from actual prisons have been nearly universally embraced. But as educator, author, and formerly incarcerated activist James Kilgore brilliantly exposes, these reforms are largely a part of the phenomenon of e-carceration--the slow, sinister way that technological interventions are expanding to increasingly and creatively deprive justice-involved people and other marginalized groups of their freedoms, all in the name of ending mass incarceration. People subject to the constraints of e-carceration can be denied access to employment, housing, medical treatment, therapy, and even the opportunity to spend time with their families. The harm caused by data harvesting, which involves the collection and storage of data, has no time boundaries. Certain e-carceration technologies, like facial recognition, persist even without the knowledge of their subjects. And sometimes, people may be accidentally complicit in the intensification of their own e-carceration by adding data and information to databases used to predict behavior and authorize official responses. In this searing and powerful work, Kilgore examines the dark side of this evolution of mass incarceration, from the simple analog-like ankle shackle to the great corporate data clouds in the sky--and offers a way forward.

Understanding E-Carceration

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Esther Yi

“Wondrous and weird . . . Y/N resists the junkiness of the internet . . . against which a well-formed novel like this counteracts, a blast of cleansing heat.” —New York Times "Gorgeous." —New Yorker "High Brow x Brilliant." —NY Mag (Approval Matrix) "Piercing, feverish, and frequently astonishing." —Entertainment Weekly "Utterly brilliant." —Cosmopolitan "A true novel of the era." —Elle "Freakish and hallucinatory." —Vulture "Absurdly funny." —Ms. Magazine "Haunting." —Esquire "Riveting and innovative." —TIME "Sophisticated." —Chicago Review of Books "Strange, haunting, and undeniably beautiful." —Publishers Weekly (Starred Review) "One of the most daring novels of the year." —Bookpage (Starred Review) "Witty, self-knowing and, extraordinarily, far beyond categorization." —The Times UK Surreal, hilarious, and shrewdly poignant—a novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction. It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. An escalating series of mistranslations and misidentifications lands her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. From a conspicuous new talent comes Y/N, a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Crackling with the intellectual sensitivity of Elif Batuman and the sinewy absurdism of Thomas Pynchon, Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

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James Baldwin

Stacey Abrams

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams. In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever. Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

The Evidence of Things Not Seen

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Andrew Leland

A Memoir at the End of Sight

A witty, winning, and revelatory personal narrative of the author’s transition from sightedness to blindness and his quest to learn about blindness as a rich culture all its own “The Country of the Blind is about seeing—but also about marriage and family and the moral and emotional challenge of accommodating the parts of ourselves that scare us. A warm, profound, and unforgettable meditation on how we adjust to new ways of being in the world.” —Rachel Aviv, author of Strangers to Ourselves We meet Andrew Leland as he’s suspended in the liminal state of the soon-to-be blind: he’s midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from sightedness to blindness over years, even decades. He grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in, such that he now sees the world as if through a narrow tube. Soon—but without knowing exactly when—he will likely have no vision left. Full of apprehension but also dogged curiosity, Leland embarks on a sweeping exploration of the state of being that awaits him: not only the physical experience of blindness but also its language, politics, and customs. He negotiates his changing relationships with his wife and son, and with his own sense of self, as he moves from his mainstream, “typical” life to one with a disability. Part memoir, part historical and cultural investigation, The Country of the Blind represents Leland’s determination not to merely survive this transition but to grow from it—to seek out and revel in that which makes blindness enlightening. Thought-provoking and brimming with warmth and humor, The Country of the Blind is a deeply personal and intellectually exhilarating tour of a way of being that most of us have never paused to consider—and from which we have much to learn.

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James Baldwin; Stacey Abrams

The Evidence of Things Not Seen

Andrew Leland

The Country of the Blind

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