Lauren E. Rico

Paperback (1 to 2 lbs)

California

How do you find your way back when you’ve left yourself behind? A painful unsolved mystery resurfaces after decades of confusion, sending one woman and her daughters on a journey of redemption in this emotional story about intergenerational trauma, family, and the beauty of Puerto Rico for fans of Nina LaCour, Xochitl Gonzalez, Elizabeth Acevedo, Jodi Picoult, Celeste Ng, and Julia Alvarez. Thirty years ago, musicians Emilia Oliveras and Paul Winstead were married in Puerto Rico. Forty-eight hours later, Paul vanished from their honeymoon cruise, leaving Emilia devastated—and the prime suspect in his disappearance. So, she ran for her life, leaving behind her love, her dreams, and her identity. Today “Emily Oliver” is a divorced music teacher and mother of two daughters who know nothing about her past: Gracie, a talented attorney who excels in the courtroom but grapples with personal relationships, and Meg, a gifted concert pianist who wrestles with her ambition and purpose. When a cryptic caller claims the unthinkable—that Paul is alive, Emily returns to Puerto Rico in search of the truth. What she doesn’t know is that her daughters aren’t far behind. Shocked to find their mother isn’t the woman they thought she was, Gracie and Meg wonder how much of their lives have been a lie. As the paths of the three women intertwine, they are compelled to confront their pasts, reevaluate their relationships, and seek forgiveness. Together they embark on a quest to unravel the mystery of Paul’s disappearance and redefine their futures on their own terms, navigating a maze of family ties, secrets, and redemption.

After the Ocean

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John Marrs

Nina can never forgive Maggie for what she did. And she can never let her leave. They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past. Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can't ever be forgiven, and now she is paying the price. But there are many things about the past that Nina doesn't know, and Maggie is going to keep it that way--even if it kills her. Because in this house, the truth is more dangerous than lies.

What Lies Beneath Us

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Leigh Bardugo

Excellent condition with black sided pages

Hardcover (1 to 2 lbs)

A Novel

Flatiron fiction title to be revealed. On sale april 2024

The Familiar

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Catherine Chidgey

Light Paperback (1 lb or less)

WINNER OF THE JANN MEDLICOTT ACORN PRIZE FOR FICTION AT THE 2023 OCKHAM NEW ZEALAND BOOK AWARDS A dazzling portrayal of humanity and the natural world that perfectly balances violence and humor Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. "If it keeps me awake," says Marnie's husband Rob, a farmer, "I'll have to wring its neck." But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is growing. Outside, in the pines, his father warns him of the wickedness wrought by humans. Indoors, Marnie confides in him about her violent marriage. The more Tama sees, the more the animal and the human worlds--and all the precarity, darkness and hope within them--bleed into one another. Like a stock truck filled with live cargo, the story moves inexorably towards its dramatic conclusion: the annual Axeman's Carnival. Part trickster, part surrogate child, part witness, Tama the magpie is the star of this story. Though what he says aloud to humans is often nonsensical (and hilarious), the tale he tells us weaves a disturbingly human sense. The Axeman's Carnival is Catherine Chidgey at her finest--comic, profound, poetic and true. "A writer of formidable resources, a deft stylist possessed of uncanny imaginative acuity."--The Guardian

The Axeman's Carnival

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Sable Yong

Essays on Vanity

Journalist and former Allure editor Sable Yong debuts with a sharp-toothed and hilarious essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change. The beauty industry has a single mandate: be hot. In the same week that you might be encouraged to try curtain bangs, contouring, bleached eyebrows, laser facials, buccal fat removal, fillers, and "non-invasive" facelifts, you're simultaneously absorbing mantras about self-care, body positivity, empowerment, and loving yourself just as you are. Overwhelmed yet? Fear not. Die Hot with a Vengeance delves into the machinations of this multi-billion-dollar industry, offering readers an expert analysis of its inner workings with the precision of a scalpel and the humor of a stand-up comedian. Along the way, Yong sets off to answer some of the biggest questions of our time: How do you break through the noise of beauty and wellness culture's endless optimization protocols? How can you find actual authenticity in a world of performative artifice? Can the antidote to aging be found in a jar, tube, or at the end of a syringe? Do blondes really have more fun? Using Yong's many years of experience as a beauty editor to unlock the industry's myriad secrets, Die Hot with a Vengeance gives beauty and vanity a neutralizing make-over. At its best, beauty is so much more than an aesthetic; it's an inspirational mindset. It's a playfulness inherent to the practice of self-expression. And yet it's difficult to engage playfully when it feels like beauty is an ever-moving target. We're all subject to societal expectations surrounding beauty and vanity, enough so that breaking through the capitalist pressures can feel impossible. Yong argues that while the mandate may be for us to be hot, the beauty industry thrives on us absorbing its teachings so it can keep us in a constant feedback loop of appearance-based anxiety, forever perpetuating unattainable standards. Flipping that imperative, Yong's debut collection poses the most important question of all: How do you discover your value of beauty so you can free yourself from the loud and bullshitty noise of all these entities telling you that you're not good enough? Digging deep into our most pervasive and questionable beauty trends and conventions, Die Hot with a Vengeance offers an incisive yet wry dissection of one of our most enduring cultural addictions. Irreverent, side-splittingly funny, and astute, the book is as amusing as it is insightful, an instant classic for beauty-readers and aspirant hotties alike.

Die Hot with a Vengeance

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Kay Synclaire

Heavy Paperback (2 to 4 lbs)

A warm and hopeful story of a lonely witch consumed by grief who discovers a whimsical cast of characters in a magical arboretum--and the healing power of found family. Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior. Saika gets by at the sanctuary using a fragment of a fallen star to cast enchantments--while hiding the embarrassing truth about herself. As Saika works harder in avoidance of her pain, she learns more about Frank, the decaying house at Ash Gardens, and the lives of the motley staff, including bickering twin cherubs, a mute ghost, a cantankerous elf, and an irritating half witch, among others. Over time, she rediscovers what it means to love and be wholly loved and how to allow her joy and grief to coexist. Warm and inventive, House of Frank is a stirring portrait of the ache of loss and the healing embrace of love.

House of Frank

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Julie Satow

Glamour and Power at the Dawn of American Fashion

A glittering, glamorous portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza. The American department store: a palace of consumption that epitomized modern consumerism. Every wish could be met under one roof - afternoon tea, a stroll through the latest fashions, a wedding (or funeral) planned. It was a place where women, shopper and shopgirl alike, could stake out a newfound independence. Whether in New York or Chicago or on Main Street, USA, men owned the buildings, but inside, women ruled. In this hothouse atmosphere, three women rose to the top. Hortense Odlum of Bonwit Teller, Dorothy Shaver of Lord & Taylor, and Geraldine Stutz of Henri Bendel's took risks, innovated and competed as very different kinds of career women, forging new paths for the women who followed in their footsteps. In the 1930s, Hortense came to her husband's department store as a housewife tasked with attracting more shoppers like herself, and wound up running the company. Dorothy championed American designers during World War II--before which US fashions were almost exclusively Parisian copies--and beyond, becoming the first businesswoman to earn a salary of more than $1.5 million. And Geraldine re-invented the look of the modern department store in the 1960s, and had a preternatural sense for trends, inspiring a devoted following of ultra-chic shoppers as well as decades of copycats. In When Women Ran Fifth Avenue, journalist Julie Satow draws back the curtain on three American women who made twentieth-century department stores a mecca for women of every age, social class, and ambition. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence, and fun, and showcases the women who made that beautifully curated world go round.

When Women Ran Fifth Avenue

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Abraham Verghese

Light Hardcover (1 lb or less)

A Novel: Oprah's Book Club 2023

OPRAH'S BOOK CLUB PICK * From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret

"One of the best books I've read in my entire life. It's epic. It's transportive . . . It was unputdownable!"--Oprah Winfrey, OprahDaily.com

The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years.


Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India's Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning--and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl--and future matriarch, known as Big Ammachi--will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

ChristyGeorge22