Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Karen Yamashita presents an L.A. where the home-less, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of highway struck by disaster. The Harbor Freeway crisis becomes the apex of events caused by an orange, which has been brought to L.A. from just north of Mazatlan, dragging with it the Tropic of Cancer. Rafaela, caretaking Gabriel's getaway home in Mexico, discovers a dealer of human body parts and flees north, joining a performer/laborer named Arcangel. Mean-while, Gabriel, a news reporter in L.A., has been following leads in which seemingly unrelated events mysteriously unite as the homeless take up residence in abandoned Mercedes, lowriders, and Cads, and an aged Asian American sansei conducts symphonies from a freeway overpass.