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In Masculine Interests Robert Lang considers how Hollywood articulates the eroticism that is intrinsic to identification between men. He considers masculini- ty in social and psychoanalytic terms, maintaining that a major function of the movies is to define different types of masculinity, and to either valorize or criti- cize these forms. Focusing on several films-primarily The Lion King, The Most Dangerous Game, The Outlaw, Kiss Me Deadly, Midnight Cowboy, Innerspace, My Own Private Idaho, the Batman series, and Jerry Maguire-Lang questions the way in which American culture distinguishes between homosexual and nonhomosexual forms of male bonding. In arguing for a much more complex recognition of the homosocial continuum, he contends that queer sexuality is far more present in American cinema than is usually acknowledged.
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In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thoma...
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